Showing posts with label Sam Shepard. Show all posts
Showing posts with label Sam Shepard. Show all posts

Friday, June 15, 2012

COWBOY MOUTH


ONE OLD CROW PRODUCTIONS PRESENTS 
COWBOY MOUTH 
BY SAM SHEPARD & PATTI SMITH 
A SITE SPECIFIC PLAY WITH MUSIC
JUNE 7-22 
THE SALON APARTMENT ABOVE LUCKY CHENG’S 
IN THE HEART OF THE LOWER EAST SIDE

COWBOY MOUTH
Diana Beshara 
As Cavale... With her pet dead-crow
Photo by Leah Benavides
 
COWBOY MOUTH is an early play by Sam Shepard and Patti Smith, that developed from the real life affair of Shepard -- who had recently left his wife and child -- and Smith.

The structure of the play seems to be a series of small mini set pieces of passionate love/anger with overtones of absurdity and suicidal despair between Slim and Cavale, which escalate rather abruptly into powerful monologues with metaphorical overtones based on the need to be free.

The play is presented in a grungy apartment in a grungy neighborhood. The audience sits on chairs in the apartment, which gives the play something of the flavor of immersive, site-specific theater. However, the audience does not participate in the play (except for unscripted interruptions by errant theater-goers). This setting has been compared to Sleep No More, but an apt comparison between the two is:  Watching a stick-ball game in the street compared to attending the first game of the World Series and possibly catching a home-run ball: Watching stick-ball can be fun, but the nature of the audience participation is really part of the game at the World Series -- and the scale of the event and the skill level of the participants are vastly (almost incomparably) different. (Note: In Sleep No More, the audience participation is an integral part of the experience, and the expertise and skill level of every aspect of the show is breathtaking.)

One important facet of a director's job is to make every moment of a play clear in its context. I had trouble with that at this production: The characters did not seem to me to be clear about what they were really fighting about, or how much they really cared about -- or hated -- each other. In a play with more subtext than text, clarity of intention is essential.

I also found myself distracted in many other ways -- the accents were inconsistent: sometimes the actors seemed to be trying to talk like cowboys, but mostly not; the characters kept changing clothes for no explicable reason; the bizarre costuming of the Lobster Man did not seem to fit with what was suggested about him; and the dead-crow pet never gained a life of its own. I also had a bit of a problem with watching lovers on a bed who are over-dressed for making love on a bed.

The drums were the best, but overall the music was not impressive.

Aside from the set, the strongest aspect of the production was the final set-pieces by each of the characters. Had they been well set up by a strong lead-in they would have rounded out a powerful play.

All in all, while this is not a definitive production of Cowboy Mouth, it had no major faults, just possibilities not fully realized. The production is still a revealing and interesting presentation of an early Sam Shepard play that is not too frequently performed. Plus... there is free cheap wine, and a chance to hang out in Cavale's grungy apartment and watch her and Slim love, fight, and deal with Lobster Man.

(Note: The play takes place in an apartment above Lucky Cheng's, (LC), but the entrance is separate, around the corner from the entrance to LC. The night I was there, the Lobster Man was on the corner with fortune cookies with directions to the apartment. -- LC, that night, by the way, was hosting an LGBT/Drag  Karaoke.)

(Note: Come early to find a good comfortable seat with clear sight-lines. But a Cautionary Note: Front row seats might get splashed!)

Below is some information about the production from the producers and some links to more information:

"One Old Crow Productions presents a site-specific production of COWBOY MOUTH, the play born out of the actual relationship between America’s most celebrated dramatist, Sam Shepard and the godmother of Punk, Patti Smith. 

This play with original music composed in collaboration with the cast and director takes place in a grungy space above the bar, Lucky Cheng's, in the Lower East Side and will incorporate elements from the streets of New York.

One Old Crow invites the audience into Cavale's apt, where she has been holed up with Slim. 

The production is directed by Leah Benavides (The 4th Graders Present an Unnamed Love-Suicide at The Tank; Member of the 2011 Lincoln Center Director Lab) and will feature Diana Beshara (The Love Letter You’ve Been Meaning to Write New York at 3LD) as Cavale, Geoffrey Pomeroy (Two Days ‘til Dawn at the 2011 Planet Connections Festivity) as Slim,and Matthew Mark Stannah (2011 AADM graduate) as Lobster Man. 

The cast, in collaboration with the director, created the set, artwork, and original music. Slim, a musician, is in the apartment of the young Cavale, who dreams of making him the next rock n’ roll savior. What follows is a hypnotic meditation on art, desire, music, the state of the world, the place of dreams, and “two big dreamers who came together but were destined to come to a sad end.” (Patti Smith, 1974). 

The production, presented by One Old Crow Productions plays a three-week engagement in an apartment above Lucky Cheng’s (24 1st Avenue at 2nd Street) June 7-22; 

June 7 & 8, 11-14, & 20 & 21 at 8pm, 
Friday, June 15 & 22 at 8pm and 10pm, and 
Sunday, June 10 & 17 at 5pm. 

TICKETS($15) may be purchased 
or by calling 1-800-838-3006. 

ONE OLD CROW PRODUCTIONS is a new company dedicated to producing works across multiple mediums that highlight and celebrate an experimental nature and an explorative use of space and place. We are not interested so much in Naturalism as REALISM; in exploring the reality and truth in situations that exist outside of daily life yet illuminate our existence. "

LINKS: 

Note: There is a band called COWBOY MOUTH which is not related to this production or this play. 

ONE OLD CROW PRODUCTIONS -- THE OFFICIAL SITE FOR THIS PLAY www.oneoldcrowproductions.com
http://www.oneoldcrowproductions.com/up-next.html

COWBOY MOUTH - WIKIPEDIA
http://en.wikipedia.org/wiki/Cowboy_Mouth_(play)

SAM SHEPARD - WIKIPEDIA
http://en.wikipedia.org/wiki/Sam_Shepard

PATTI SMITH - WIKIPEDIA
http://en.wikipedia.org/wiki/Patti_Smith

SLEEP NO MORE - QPORIT
http://qporit.blogspot.com/2012/05/sleep-no-more-review-guide.html

LUCKY CHENG's
http://luckychengsnyc.com/


Tuesday, May 12, 2009

SUMMER THEATER 2009: WILLIAMSTOWN

Interesting plays, great actors and directors, and a pleasant town make the Williamstown Theater Festival a joyous place to visit in the summer. Note: Pick your hotel reservations carefully. (They vary in quality from very nice to not so much.)

Marion Seldes, Mary Beth Hurt, the brothers Corddry, some world premieres, and revivals of some classic modern plays are highlights of the season.


Here's the schedule in brief:

Jul 01 - 12 - CHILDREN - Main Stage
Jul 08 - 19 - KNICKERBOCKER - Nikos Stage
Jul 15 - 26 - TRUE WEST - Main Stage
Jul 22 - Aug 02 - WHAT IS THE CAUSE OF THUNDER? - Nikos Stage
Jul 29 - Aug 09 - THE TORCH-BEARERS - Main Stage
Aug 05 - 16 - CAROLINE IN JERSEY - Nikos Stage
Aug 12 - 23 - QUARTERMAINE'S TERMS - Main Stage


Here's a little more detail:

Jul 01 - 12 - CHILDREN - Main Stage

A.R. Gurney (Playwright) John Tillinger (Director)

In a large summer home on an island off the coast of Massachusetts, an estranged brother’s return and a mother’s impending marriage recall painful memories of their father’s death, and seething arguments reignite one family’s struggle with its tragic past and uncertain future.


Jul 08 - 19 - KNICKERBOCKER - Nikos Stage

(World-Premiere) Jonathan Marc Sherman (Playwright) Nicholas Martin (Director)

"Are you ready?" The question looms over Jerry as the months tick by and... As the birth date creeps ever nearer, will the advice, encouragement and warnings of friends and family make Jerry more or less ready? The awe and terror of becoming a new parent shines through Sherman’s newest play as he examines whether one can ever truly be ready for parenthood.


Jul 15 - 26 - TRUE WEST - Main Stage

Sam Shepard (Playwright) Daniel Goldstein (Director) with brothers Nate & Rob Corddry

Squabbling siblings in this modern classic -- an explosive exploration of family rivalry as two very different brothers attempt to sell Hollywood their version of the great American Western


Jul 22 - Aug 02 - WHAT IS THE CAUSE OF THUNDER? - Nikos Stage

(World-Premiere) Noah Haidle (Playwright) Justin Waldman (Director)

After 27 years on the same soap opera, Ada is starting to confuse her art and her life. But after so many years of acting, her art is her life. The hilarity of day-time drama alongside the harsher, but often equally funny, realities of life.


Jul 29 - Aug 09 - THE TORCH-BEARERS - Main Stage

George Kelly (Playwright) Dylan Baker (Director & adaptation)with Marion Seldes and Becky Ann Baker.

1920s farce in which a troupe of amateur actors rehearse and perform a show-stopping new play — or try to with all their might.


Aug 05 - 16 - CAROLINE IN JERSEY - Nikos Stage

(World-Premiere) Melinda Lopez (Playwright) Amanda Charlton (Director)

Caroline is down and out in New Jersey. She’s having a nervous breakdown, her career as an actress is tragically dwindling, and a peculiar stranger has made his presence known in her new apartment. One woman’s whole-hearted attempt to accept the past and take hold of the future. "Funny & touching"


Aug 12 - 23 - QUARTERMAINE'S TERMS - Main Stage

Simon Gray (Playwright) Maria Aitken (Director) Mary Beth Hurt, Simon Jones and Jefferson Mays

Academics at a school (not the University) in Cambridge England. (Quartermaine is a teacher's name. "Terms" is a pun.)