Friday, December 2, 2011

LOVE WITHOUT LAW

Wilce Productions Presents:


LOVE WITHOUT LAW

Written & Performed by Kathleen Wilce

Assisted by Mary Lee Kellerman

The Manhattan Repertory Theatre
303 West 42nd St. at 8th Ave --  6th Floor

Sunday December 4 at 8 pm
Friday December 9 at 9 pm
Saturday December 10 at 3 pm

This solo show takes you on a journey through a woman's past relationships, artistic challenges, and confusion until she finally reads Leo Tolstoy's Anna Karenina where suddenly her life all makes sense.


Tickets are $20
Phone: 646-329-6588
Online: http://www.manhattanrep.com



SOME GIRL(S)

SOME GIRL(S)

by Neil LaBute

Some Girls, a popular play by Neil LaBute, has had many productions in the last few years, including a London production starring David Schwimmer, and a New York production starring Eric McCormack.

Nunya Productions mounted a new production in a limited engagement in December 2011 with a new script by LaBute. There were hints that this new script may be headed for a new Broadway Production.

I rarely (actually, never) get asked  to give a playwright notes before a new script mounts a Broadway Production. And, in fact, of course, nobody asked me to do that now, either. But I will anyway.

Perhaps it will help the Broadway team! Most likely they will never see this (or want to). Or if they do, they'll ignore it with a hostile shrug.

I should say, first off, that the December Production by Nunya was very good. And I enjoyed it. And there were especially fine performances by Betty Kaplan, who was one of the most successfully sexy on-stage sexy gamin's I've seen, and Mariya King who perfectly navigated a treacherous role.

Robin Singer was exceptional, creating a standout, subtle, sophisticated, complex character. Bringing Robin to a Broadway Production could be creating the Breakout Actress who helps make the show an Event.

First, the Official Notice for the show, then the notes. WARNING: The notes contain spoilers!


SOME GIRL(S)

by Neil LaBute

with Michael Scott King, Rebecca De Ornelas, Betty Kaplan, Jody Lyn Flynn,
Robin Singer, Mariya King

December 8 - 17, 2011

Presented by Nunya Productions
With The New Jersey Foundation For Dance and Theatre Arts

Sargent Theatre at The American Theater of Actors
314 W 54th St, 4th Floor,

A play to raise funds and awareness for To Write Love On Her Arms


Guy (Michael Scott King) pushing 40 and finally on the verge of getting married, decides to visit former girlfriends...





Robin Singer
Photo by Eric Roffman


These include the high school sweetheart Sam (Rebecca De Ornelas) he dumped just before prom night; a free-spirited sexual plaything, Tyler (Betty Kaplan); an older, fire-and-ice college professor, Lindsay (Jody Lyn Flynn); and the woman he really loved, Bobbi (Robin Singer).



THE OFFICIAL LISTING
http://nunyaproductions.com/projects/


AN ARTICLE ABOUT THE PRODUCTION http://offbroadway.broadwayworld.com/printcolumn.php?id=307441


THE PRODUCER
http://nunyaproductions.com/


THE BENEFIT: TO WRITE LOVE ON HER ARMS
http://www.twloha.com/


ROBIN SINGER IMDB
http://www.imdb.com/name/nm3295250/


NOTES FOR LABUTE
& THE TEAM BEHIND A NEW, COMMERCIAL BROADWAY PRODUCTION
OF NEIL LABUTE'S

SOME GIRLS

WARNING! THESE NOTES CONTAIN SPOILERS!

Disclaimers:
   1. -- Nobody asked me for these notes.
   2. -- I'm no expert on LaBute's work or what he is trying to accomplish: so these opinions are based on what I would like to see, not what LaBute may be trying to accomplish in the play.



NOTES:


1- First of all, the play does not seem like a Broadway Play. It does not have elaborate sets. It does not have bursting-the-envelope action or scandal or revelations. It does not seem like either a Tourist Friendly or a Tourist Destination piece.

My first note, then, is that for the play to succeed on Broadway it should have bigger sets, big, big stars, a breakout new star, and be much more daring. (It could also run more safely in a somewhat smaller and trendier than Broadway venue.)


2a - The play still is (and, as noted by earlier reviews of earlier productions, used to be, as well), somewhat repetitive. As it now stands it consists of one Guy going from city to city, hotel room to hotel room, meeting old girl friends, one at a time.

It might be interesting to combine the first two characters (to eliminate one unnecessary repetition). It might be interesting to have each scene in a different kind of venue, to allow for more interesting set design and variation in style.

2b - The play has limited suspense. Currently we learn early on that the Guy is getting married. There is no clear reason why he should be visiting all the old girlfriends. There is a surprise in the next to last scene and a surprise in the last scene. But a surprise is not suspense. (Note: The twin sister bit is hokey.)

Some possibly interesting ideas would be to never make it clear whether the Guy is really getting married. And have scenes with his "fiance" in between the other scenes. It might be interesting to magnify the importance of the last woman by suggesting early on that visiting her may be the real reason for his expedition.


3 - Magnifying the importance of the last woman is also important because there have been at least two other plays which hang on a similar topic (How I Learned to Drive, by Paula Vogel and The Blackbird, by David Harrower). Indeed, the last scene, as written, has little suspense even within the scene, because as soon as the ages of the Guy and the girl are revealed, the point of the scene is foretold. The final scene needs to be more shocking, and to be more intimately related to everything that has gone before.


4a - One issue with the whole play is that it never really explains how this one Guy could have all these great women hanging on him. This suggests that for a commercial production it would be wise to have a super-star playing the Guy who is already known -- as himself in the public domain, and in the spirit of the character -- for being a major Ladies' Man.

4b - So, in the interest of Commercial Casting, it would be wise to have a cast something like this:

Guy -- A famous, sexy actor such as Fassbender, Duchovny, Ryan (Reynolds or Gosling) or Brad Pitt.

Paired with Brad Pitt, some trophy casting would be Angelina Jolie as the sexy girl. Other possibilities might be Penelope Cruz or perhaps another dark, sexy actress like Eva Green.

For the teacher/older woman, some intense older actor would be most interesting: Jodie Foster, Demi Moore, Kathleen Turner, Michelle Pfeiffer...

As Bobbi, Robin Singer should re-create her exceptional characterization. She could be the Breakout New Actress that helps make the Commercial Production an Event and Commercial Success!

As the younger woman for the final scene, one of the new very powerful younger actresses, such as Evan Rachel Wood or Kristen Stewart could create the role.


5 - By contemporary standards (think SHAME or THE SKIN I LIVE IN or STARZ' SPARTACUS) this play is very, very tame. Scenes with the sexy girl, the teacher, and new scenes with the fiance should be much more intense, daring, explicit, and carried much further. And the final scene should be truly shocking.


6 - One final thought... or question.  Who among the characters really cares about whom? And why?


So. That's my two cents. (Or noncents.) I don't expect anyone that's actually involved to ever see this or care or agree if they do read it. But I did get it off my chest.


*** *** ***

*** *** ***

Tuesday, August 2, 2011

NEW YORK INNOVATIVE THEATRE NOMINATIONS

NEW YORK INNOVATIVE THEATRE
AWARDS CEREMONY

SEPTEMBER 19, 2011
LOCATION TBD


2011 NOMINEES


ENSEMBLE
Tonya Canada, Megan Hill, Polly Lee, Michael Levinton, Hugh Sinclair, Laura von Holt, Donya K. Washington, Stephanie Weeks, Merlin Whitehawk, (oh my god I am so) THIRST(y) Little Lord (a theater company)

Seth Allen, Ian Bell, Esteban Benito, Jill Bianchini, Dennis Brito, Tommy Buck, Lowell Byers, Ian Campbell Dunn, Belle Caplis, Amanda Catrini, Lawrence Crimlis, Jordan Feltner, Brad Martocello, Mariel Matero, Jevon McFerrin, Erica Lauren McLaughlin, Alona Metcalf, Sebastian Montoya, Michael Murray, Jason Pumarada, Orlando J. Rivera, Olivia Roric, Stephanie Seward, Lisa Sobin, Eric Spear, Christine Vega, Stewart Villilo, Jonathan Wilde, Richard Zekaria, Balm in Gilead T. Schreiber Studio

Heather E. Cunningham, David Ian Lee, Matthew Semler, Kristen Vaughan, Benefactors Retro Productions

Richard Ginocchio, Jenny Lee Mitchell, Matt Muszynski, Aldo Perez, Jonathon Roberts,
Matthew Talmage, Radio Purgatory Theater THE

Whitney Branan, Jennifer DiDonato, Tauren Hagans, Robert Anthony Jones, Edward Juvier, Lorinne Lampert, Aaron J. Libby, Jake Mendes, Trey Mitchell, Jan-Peter Pedross, Colin Pritchard, Megan Rosenblatt, Chloe Sabin, Dawn Trautman, Craig Treubert, Tyler Wallach, Eric Weaver, The Drowsy Chaperone The Gallery Players

Marc Bovino, Joe Curnutte, Michael Dalto, Henry Vick, Stephanie Wright Thompson, The Tremendous Tremendous The Mad Ones

Fred Backus, Hope Cartelli, Stephen Heskett, Kent Meister, Josh Mertz, Robert Pinnock, Shelley Ray, Theater of the Arcade: Five Classic Video Games Adapted for the Stage Brick Theater

SOLO PERFORMANCE
Andrea Caban, Questions My Mother Can't Answer, Coyote REP Theatre Company & the terraNOVA Collective
Nat Cassidy, Things At The Doorstep: An Evening of Horror Based on the Works of H.P. Lovecraft, Manhattan Theatre Source, Greg Oliver Bodine, and Nat Cassidy
Elaine Del Valle, Brownsville Bred, Del Valle Productions, Inc.
Monica Hunken, Blondie of Arabia, Monica Hunken and Co.
Darrell James, St. Nicholas, Theatre of the Expendable
Grant Neale, Polanski, Polanski, terraNOVA Collective


ACTOR IN A FEATURED ROLE
Daniel Abeles, Keep Your Baggage With You (at all times), Artists Empire
David Darrow, The Revival, Project Y Theatre Company
Gregory Konow, An Impending Rupture of the Belly, Godlight Theatre Company
Jeff Pagliano, Fracturing, Sweeter Theater Productions
Colin Pritchard, The Drowsy Chaperone, The Gallery Players
Brent Vimtrup, Sight Unseen, InProximity Theatre Company


ACTRESS IN A FEATURED ROLE
Becky Byers, Dog Act, Flux Theatre Ensemble
Deanna McGovern, An Impending Rupture of the Belly, Godlight Theatre Company
Elizabeth Neptune, Weekend at an English Country Estate, Ateh Theater Group
Lauren Roth, Billy Carver and the Children in Mind, OptiMystics
Nicole Taylor, The Navigator, WorkShop Theater Company
Laura von Holt, (oh my god I am so) THIRST(y), Little Lord (a theater company)


ACTOR IN A LEAD ROLE
DJ Canaday, A Christmas Carol, Literally Alive
Trent Dawson, The Revival, Project Y Theatre Company
Kevin Kane, Someone Who'll Watch Over Me, The Collective NY
Nick Paglino, An Impending Rupture of the Belly, Godlight Theatre Company
Jeff Paul, Interchange, WorkShop Theater Company
Craig E. Treubert, The Drowsy Chaperone, The Gallery Players


ACTRESS IN A LEAD ROLE
Virginia Bartholomew, Macbeth, Redd Tale Theatre Company
Jill Bianchini, Balm in Gilead, T. Schreiber Studio
Kelly Anne Burns, The Navigator, WorkShop Theater Company
Belle Caplis, Balm in Gilead, T. Schreiber Studio
Heather E. Cunningham, Benefactors, Retro Productions
Daphne Gaines, The Walk Across America For Mother Earth, LaMaMa Experimental Theater Club
Kristen Vaughan, Benefactors, Retro Productions


DIRECTOR
Gyda Arber, Theater of the Arcade: Five Classic Video Games Adapted for the Stage, Brick Theater
Michole Biancosino, The Revival, Project Y Theatre Company
Hans Friedrichs, The Drowsy Chaperone, The Gallery Players
Robert Z. Grant, Someone Who'll Watch Over Me, The Collective NY
Leslie Kincaid Burby, The Navigator, WorkShop Theater Company
Rachel Klein, Circus of Circus, the House of Yes
Paul Zimet, The Walk Across America For Mother Earth, LaMaMa Experimental Theater Club



CHOREOGRAPHY / MOVEMENT
Karina Casiano and Daniel Irizarry, The Orphans, La Criatura Theater
Angela L. Harriell, Rachel Klein and Ashley Morgan Monroe, Circus of Circus, the House of Yes
Aaron Haskell, Wake Up, You're Dead, LaMaMa Experimental Theater Club
Austin McCormick, Nutcracker Rouge, Company XIV
Christine O'Grady, The Drowsy Chaperone, The Gallery Players
Elisabetta Spuria, disOriented, Theatre C


ORIGINAL FULL LENGTH SCRIPT
Eddie Antar, The Navigator, WorkShop Theater Company
Jonathan Blitstein, Keep Your Baggage With You (at all times), Artists Empire
Jeff Lewonczyk, Theater of the Arcade: Five Classic Video Games Adapted for the Stage, Brick Theater
Sara Montgomery, Weekend at an English Country Estate, Ateh Theater Group
Matt Pelfrey, An Impending Rupture of the Belly, Godlight Theatre Company
Matt Wilson, Play America (Life is Short, Wear Your Party Pants), Sister Sylvester

OTHER NOMINEES

Lighting Design
Joie Bauer, Brownsville Bred, Del Valle Productions, Inc.
Alex Fabozzi, Someone Who'll Watch Over Me, The Collective NY
Ben Hagen, The Revival, Project Y Theatre Company
Ryan Metzler, St. Nicholas, Theatre of the Expendable
Duane Pagano, The Navigator, WorkShop Theater Company
Stan Pressner, Pass The Blutwurst, Bitte, LaMaMa Experimental Theater Club
Eric Southern, The Caucasian Chalk Circle, Pipeline Theatre Company


Costume Design
Krista Amigone, Someone Who'll Watch Over Me, The Collective NY
Kae Burke, Circus of Circus, the House of Yes
Hwi-won Lee, The Country Wife, Odyssey Productions
Machine Dazzle, The Walk Across America For Mother Earth, LaMaMa Experimental Theater Club
Ryan J. Moller, The Drowsy Chaperone, The Gallery Players
Zane Pihlstrom, Nutcracker Rouge, Company XIV
Anne Wingate, Balm in Gilead, T. Schreiber Studio


Set Design
Matt Brogan, Balm in Gilead, T. Schreiber Studio
Kevin Judge, The Revival, Project Y Theatre Company
Duane Pagano, The Navigator, WorkShop Theater Company
Jason Paradine, Dog Act, Flux Theatre Ensemble
Jeff Stander, Dear Ruth, Retro Productions
Hal Tine, The Changing Room, T. Schreiber Studio


Sound Design

Tim Boyce, The Spring Fling, F*It Club
Quentin Chiappetta, The Navigator, WorkShop Theater Company
Andy Cohen, Balm in Gilead, T. Schreiber Studio
M.L. Dogg, The Land Whale Murders, Shelby Company
Christopher Loar, (un)afraid, New York Neo-Futurists
Aldo Perez, Radio Purgatory, Theater THE
Amit Prakash, The Revival, Project Y Theatre Company


Innovative Design
Matt Acheson and Tom Lee, Puppet Design, The Secret History of the Swedish Cottage, Swedish Cottage Marionette Theatre
Kae Burke, Aerial & Circus Rigging Design, Circus of Circus, the House of Yes
Volodymyr Klyuzko and Mikhail Shraga, Projection Design, Raven, LaMaMa Experimental Theater Club
Alex Koch, Video and Projection Design, Feeder: A Love Story by James Carter, terraNOVA Collective
Hugh Morris, Art Installation, Michael & Edie, The Greenpoint Division
Tatsushi Tahara, Film and Cinema Design, Radio Purgatory, Theater THE


Original Music
Cormac Bluestone, The Caucasian Chalk Circle, Pipeline Theatre Company
Chris Chappell and Frank Padellaro, Theater of the Arcade: Five Classic Video Games Adapted for the Stage, Brick Theater
Live Footage, Displaced Wedding, New Worlds Theatre Project
George MacDonald, The Country Wife, Odyssey Productions
Aldo Perez, Radio Purgatory, Theater THE
Colonna Sonora, Woyzeck, Toy Box Theatre Company


Original Short Script
Vincent Marano, My Baby, Ingenius Short Play Festival, Manhattan Theatre Source
Clay McLeod Chapman, Diary Debris, The Pumpkin Pie Show: Amber Alert, Horse Trade
Clay McLeod Chapman, Sixteen Again, The Pumpkin Pie Show: Amber Alert, Horse Trade
Isaac Oliver, Come Here, The Spring Fling, F*It Club
Aaron Wigdor Levy, Monroe, Illinois: Over Here/Townie, On the Square Productions t
Anna Ziegler, If,The Spring Fling, F*It Club


Performance Art Production
(un)afraid, New York Neo-Futurists
Hold Music, PegLeg Productions / Culture Project's Women Center Stage 2011
Locker #4173b, New York Neo-Futurists
Radio Purgatory, Theater THE
The Bitter Poet: Looking For Love In All The Wrong Black Box Performance Spaces, The Bitter Poet
Wake Up, You're Dead, LaMaMa Experimental Theater Club
Woman of Leisure and Panic, terraNOVA Collective


Production of a Musical
(oh my god I am so) THIRST(y), Little Lord (a theater company)
A Christmas Carol, Literally Alive
Reefer Madnes the musical, The Gallery Players
The Drowsy Chaperone, The Gallery Players
The Human Comedy, Astoria Performing Arts Center
The Walk Across America For Mother Earth, LaMaMa Experimental Theater Club

Production of a Play
Balm in Gilead, T. Schreiber Studio
Benefactors, Retro Productions
Circus of Circus, the House of Yes
St. Nicholas, Theatre of the Expendable
The Navigator, WorkShop Theater Company
The Revival, Project Y Theatre Company



SAVE THE DATE
NEW YORK INNOVATIVE THEATRE
AWARDS CEREMONY
SEPTEMBER 19, 2011
LOCATION TBD

Coming to the Fringe: FLACCID PENIS SEEKS VAGINAL DRYNESS

 FLACCID PENIS SEEKS VAGINAL DRYNESS



Writer: Mike Poblete
Director: Rebecca A. Hengstenberg
Limp Productions

Multi-Media Comedy
2h 0m

Allergic to Semen seeks Delayed Ejaculation! Brotherfucker seeks Male Sibling! Anorgasmic seeks Wizard! Tired of insincere Facebook “friends” Dan finds a website for people even more ostracized than himself. Taking place entirely in cyberspace you’ve never seen anything like FPSVD.


VENUE #5: Dixon Place
161A Chrystie Street (Rivington Delancey)
F,V to 2nd Avenue; B,D to Grand; J,M,Z to Bowery

Sat 13 @ 8:30
Wed 17 @ 4:45
Sat 20 @ 12
Mon 22 @ 7
Thu 25 @ 9

Note: Mike's a very fine writer, and this is a good bet to be one of the more interesting shows at this year's FringeNYC.

.

Sunday, June 12, 2011

AMERICAN THEATER WING'S TONY AWARDS 2011

AMERICAN THEATRE WING'S
TONY AWARDS®
2011

Presented by The Broadway League and the American Theatre Wing


PRE-ANNOUNCED RECIPIENTS OF AWARDS AND HONORS

SPECIAL TONY AWARD FOR LIFETIME ACHIEVEMENT IN THE THEATRE
Athol Fugard
Philip J. Smith

REGIONAL THEATRE TONY AWARD
Lookingglass Theatre Company (Chicago, Ill.)

ISABELLE STEVENSON AWARD
Eve Ensler

SPECIAL TONY AWARD
Handspring Puppet Company

TONY HONOR FOR EXCELLENCE IN THE THEATRE
William Berloni
The Drama Book Shop
Sharon Jensen and Alliance for Inclusion in the Arts

WINNERS AND NOMINEES

THE BOOK OF MORMON

WINNER Best...

- Musical
- Book of a musical
- Original score
- Featured actress - Nikki M. James
- Direction of a musical - Casey Nicholaw and Trey Parker
- Orchestrations
- Scenic design
- Lighting design
- Sound design


WAR HORSE

WINNER Best...

- Play
- Direction of a play - Marianne Elliot and Tom Morris
- Scenic design
- Lighting design
- Sound design


 TOTAL NOMINATIONS

14  - The Book of Mormon
12 - The Scottsboro Boys
9 - Anything Goes
8 - How to Succeed in Business Without Really Trying
7 - The Merchant of Venice

6 –
- Jerusalem,
- The Motherf**ker with the Hat

5 –
- The Normal Heart, 
- Sister Act,
- War Horse

4 - Catch Me If You Can

3 -
- Bengal Tiger at the Baghdad Zoo
- The Importance of Being Earnest
- Women on the Verge of a Nervous Breakdown

2 –
- Arcadia
- Bloody Bloody Andrew Jackson
- Born Yesterday
- Brief Encounter
- Good People
- La Bête
- Priscilla Queen of the Desert

1 –
- Baby It's You!
- Driving Miss Daisy
- The House of Blue Leaves
- Lombardi
- The People in the Picture



BEST PLAY

Good People
Author: David Lindsay-Abaire
Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove

Jerusalem
Author: Jez Butterworth
Producers: Sonia Friedman Productions, Stuart Thompson, Scott Rudin, Roger Berlind, Royal Court Theatre Productions, Beverly Bartner/Alice Tulchin, Dede Harris/Rupert Gavin, Broadway Across America, Jon B. Platt, 1001 Nights/Stephanie P. McClelland, Carole L. Haber/Richard Willis, Jacki Barlia Florin/Adam Blanshay

The Motherf**ker with the Hat
Author: Stephen Adly Guirgis
Producers: Scott Rudin, Stuart Thompson, Public Theater Productions, Oskar Eustis, Joey Parnes, Labyrinth Theater Company, Stephen Adly Guirgis, Mimi O'Donnell, Yul Vázquez, Danny Feldman, Fabula Media Partners LLC, Jean Doumanian, Ruth Hendel, Carl Moellenberg, Jon B. Platt, Tulchin Bartner/Jamie deRoy

=> War Horse
Author: Nick Stafford
Producers: Lincoln Center Theater, André Bishop, Bernard Gersten, National Theatre of Great Britain, Nicholas Hytner, Nick Starr, Bob Boyett, War Horse LP


BEST MUSICAL

=> The Book of Mormon
Producers: Anne Garefino, Scott Rudin, Roger Berlind, Scott M. Delman, Jean Doumanian, Roy Furman, Important Musicals LLC, Stephanie P. McClelland, Kevin Morris, Jon B. Platt, Sonia Friedman Productions, Stuart Thompson

Catch Me If You Can
Producers: Margo Lion, Hal Luftig, Stacey Mindich, Yasuhiro Kawana, Scott & Brian Zeilinger, The Rialto Group, The Araca Group, Michael Watt, Barbara & Buddy Freitag, Jay & Cindy Gutterman/Pittsburgh CLO, Elizabeth Williams, Johnny Roscoe Productions/Van Dean, Fakston Productions/Solshay Productions, Patty Baker/Richard Winkler, Nederlander Presentations, Inc., Warren Trepp, Remmel T. Dickinson, Paula Herold/Kate Lear, Stephanie P. McClelland, Jamie deRoy, Barry Feirstein, Rainerio J. Reyes, Rodney Rigby, Loraine Boyle, Amuse Inc., Joseph & Matthew Deitch/Cathy Chernoff, Joan Stein/Jon Murray, The 5th Avenue Theatre

The Scottsboro Boys
Producers: Barry and Fran Weissler, Jacki Barlia Florin, Janet Pailet/Sharon A. Carr/Patricia R. Klausner, Nederlander Presentations, Inc./The Shubert Organization, Beechwood Entertainment, Broadway Across America, Mark Zimmerman, Adam Blanshay/R2D2 Productions, Rick Danzansky/Barry Tatelman, Bruce Robert Harris/Jack W. Batman, Allen Spivak/Jerry Frankel, Bard Theatricals/Probo Productions/Randy Donaldson, Catherine Schreiber/Michael Palitz/Patti Laskawy, Vineyard Theatre

Sister Act
Producers: Whoopi Goldberg & Stage Entertainment, The Shubert Organization and Disney Theatrical Productions


BEST BOOK OF A MUSICAL

Bloody Bloody Andrew Jackson
Alex Timbers

=> The Book of Mormon
Trey Parker, Robert Lopez and Matt Stone

The Scottsboro Boys
David Thompson

Sister Act
Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane


BEST ORIGINAL SCORE (MUSIC AND/OR LYRICS) WRITTEN FOR THE THEATRE

=> The Book of Mormon
Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone

The Scottsboro Boys
Music & Lyrics: John Kander & Fred Ebb

Sister Act
Music: Alan Menken
Lyrics: Glenn Slater

Women on the Verge of a Nervous Breakdown
Music & Lyrics: David Yazbek


BEST REVIVAL OF A PLAY

Arcadia
Producers: Sonia Friedman Productions, Roger Berlind, Stephanie P. McClelland, Scott M. Delman, Nicholas Quinn Rosenkranz, Disney Theatrical Group, Robert G. Bartner, Olympus Theatricals, Douglas Smith, Janine Safer Whitney

The Importance of Being Earnest
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy

The Merchant of Venice
Producers: The Public Theater, Oskar Eustis, Andrew D. Hamingson, Jeffrey Richards, Jerry Frankel, Debbie Bisno & Eva Price, Amy Nederlander, Jonathan First, Stewart F. Lane & Bonnie Comley, Universal Pictures Stage Productions, Merritt Forrest Baer, The Araca Group, Broadway Across America, Joseph & Matthew Deitch, JK Productions, Terry Allen Kramer, Cathy Chernoff/Jay & Cindy Gutterman, Mallory Factor/Cheryl Lachowicz, Joey Parnes, The Shubert Organization

=> The Normal Heart
Producers: Daryl Roth, Paul Boskind, Martian Entertainment, Gregory Rae, Jayne Baron Sherman/Alexander Fraser


BEST REVIVAL OF A MUSICAL

=> Anything Goes
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy

How to Succeed in Business Without Really Trying
Producers: Broadway Across America, Craig Zadan, Neil Meron, Joseph Smith, Michael McCabe, Candy Spelling, Takonkiet Viravan/Scenario Thailand, Hilary A. Williams, Jen Namoff/Fakston Productions, Two Left Feet Productions/Power Arts, Hop Theatricals, LLC/Paul Chau/Daniel Frishwasser/Michael Jackowitz, Michael Speyer-Bernie Abrams/Jacki Barlia Florin-Adam Blanshay/Arlene Scanlan/TBS Service

 
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY

Brian Bedford, The Importance of Being Earnest
Bobby Cannavale, The Motherf**ker with the Hat
Joe Mantello, The Normal Heart
Al Pacino, The Merchant of Venice
=> Mark Rylance, Jerusalem


BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY

Nina Arianda, Born Yesterday
=> Frances McDormand, Good People
Lily Rabe, The Merchant of Venice
Vanessa Redgrave, Driving Miss Daisy
Hannah Yelland, Brief Encounter



BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL

=> Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Joshua Henry, The Scottsboro Boys
Andrew Rannells, The Book of Mormon
Tony Sheldon, Priscilla Queen of the Desert


BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL

=> Sutton Foster, Anything Goes
Beth Leavel, Baby It's You!
Patina Miller, Sister Act
Donna Murphy, The People in the Picture


BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY

Mackenzie Crook, Jerusalem
Billy Crudup, Arcadia
=> John Benjamin Hickey, The Normal Heart
Arian Moayed, Bengal Tiger at the Baghdad Zoo
Yul Vázquez, The Motherf**ker with the Hat


BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY
 
=> Ellen Barkin, The Normal Heart
Edie Falco, The House of Blue Leaves
Judith Light, Lombardi
Joanna Lumley, La Bête
Elizabeth Rodriguez, The Motherf**ker with the Hat


BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL

Colman Domingo, The Scottsboro Boys
Adam Godley, Anything Goes
=> John Larroquette, How to Succeed in Business Without Really Trying
Forrest McClendon, The Scottsboro Boys
Rory O'Malley, The Book of Mormon


BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL

Laura Benanti, Women on the Verge of a Nervous Breakdown
Tammy Blanchard, How to Succeed in Business Without Really Trying
Victoria Clark, Sister Act
=> Nikki M. James, The Book of Mormon
Patti LuPone, Women on the Verge of a Nervous Breakdown


BEST DIRECTION OF A PLAY

=> Marianne Elliott and Tom Morris, War Horse
Joel Grey & George C. Wolfe, The Normal Heart
Anna D. Shapiro, The Motherf**ker with the Hat
Daniel Sullivan, The Merchant of Venice


BEST DIRECTION OF A MUSICAL

Rob Ashford, How to Succeed in Business Without Really Trying
Kathleen Marshall, Anything Goes
=> Casey Nicholaw and Trey Parker, The Book of Mormon
Susan Stroman, The Scottsboro Boys


BEST CHOREOGRAPHY
Rob Ashford, How to Succeed in Business Without Really Trying
=> Kathleen Marshall, Anything Goes
Casey Nicholaw, The Book of Mormon
Susan Stroman, The Scottsboro Boys



BEST SCENIC DESIGN OF A PLAY
Todd Rosenthal, The Motherf**ker with the Hat
=> Rae Smith, War Horse
Ultz, Jerusalem
Mark Wendland, The Merchant of Venice

BEST SCENIC DESIGN OF A MUSICAL
Beowulf Boritt, The Scottsboro Boys
Derek McLane, Anything Goes
=> Scott Pask, The Book of Mormon
Donyale Werle, Bloody Bloody Andrew Jackson

BEST COSTUME DESIGN OF A PLAY
Jess Goldstein, The Merchant of Venice
Desmond Heeley, The Importance of Being Earnest
Mark Thompson, La Bête
Catherine Zuber, Born Yesterday

BEST COSTUME DESIGN OF A MUSICAL
=> Tim Chappel & Lizzy Gardiner, Priscilla Queen of the Desert
Martin Pakledinaz, Anything Goes
Ann Roth, The Book of Mormon
Catherine Zuber, How to Succeed in Business Without Really Trying

BEST LIGHTING DESIGN OF A PLAY
Paule Constable, War Horse
David Lander, Bengal Tiger at the Baghdad Zoo
Kenneth Posner, The Merchant of Venice
Mimi Jordan Sherin, Jerusalem

BEST LIGHTING DESIGN OF A MUSICAL
Ken Billington, The Scottsboro Boys
Howell Binkley, How to Succeed in Business Without Really Trying
Peter Kaczorowski, Anything Goes
=> Brian MacDevitt, The Book of Mormon

BEST SOUND DESIGN OF A PLAY
Acme Sound Partners and Cricket S. Myers, Bengal Tiger at the Baghdad Zoo
Simon Baker, Brief Encounter
Ian Dickinson for Autograph, Jerusalem
=> Christopher Shutt, War Horse

BEST SOUND DESIGN OF A MUSICAL
Peter Hylenski, The Scottsboro Boys
Steve Canyon Kennedy, Catch Me If You Can
Brian Ronan, Anything Goes
=> Brian Ronan, The Book of Mormon


BEST ORCHESTRATIONS
Doug Besterman, How to Succeed in Business Without Really Trying
Larry Hochman, The Scottsboro Boys
=> Larry Hochman & Stephen Oremus, The Book of Mormon
Marc Shaiman & Larry Blank, Catch Me If You Can


*     *     *







www.TonyAwards.com

Tuesday, May 31, 2011

PLANET CONNECTIONS THEATRE FESTIVITY 2011


PLANET CONNECTIONS THEATRE FESTIVITY 
2011 SHOW LINEUP

The Planet Connections Theatre Festivity, New York's eco-friendly/socially-conscious theatre festival, includes new works, musicals, adaptations, one-acts, solo shows and more.

Each show will partner with a not-for-profit organization and will implement green-theater sensibility into their productions.  (See below for a list of 38 participating organizations.)

This year’s Festivity, including over 50 productions, will run June 1 - June 26, 2011 at the Robert Moss Theater (440 Lafayette Street), and the Gene Frankel Theatre (24 Bond Street).

I know at least two of the authors, and they are both writers to watch with shows to see.  Mike Poblete, the author of ANTENORA, is also the author of "Flaccid Penis Seeks Vaginal Dryness,"  one of the most interesting shows in this year’s NYC Fringe Festival. Yvette Heyliger, a rising author, has a very interesting play in CODE NAME: OPERATION LYSISTRATA


FULLPRODUCTIONS                                                                                                            

ANTENORA
Written by: Mike Poblete
Directed by: Ruis Woertendyke
A Backyart Production’s performance benefiting Amnesty International

Two ordinary men are ripped out of their lives and thrown into an anonymous prison where torture is part of life. This darkly comic but poignant work draws the audience in to share its thoroughly contemporary story of survival, companionship and imagination.

Running Time: 75 mins.
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Thurs. June 2nd 4pm | Sat. June 4th 3:40pm | Sun. June 5th 9pm              Thurs. June 9th 8:30pm | Sat. June 18th 8:40pm | Mon. June 20th 6pm

*

BOMB SHELTER
Written by: Kimberly Pau
Directed by: Eric Mercado
For the benefit of NY Public Library (Brooklyn)

A scavenger play about one family’s honor and the right to kill.

Running Time: 80mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Thurs. June 2nd 5pm | Fri. June 3rd 8:30pm | Sun. June 5th 9pm                  Sat. June 11th 1pm | Sun. June 12th 9pm

*

CARRY ON
Written by: Jim Tierney
Directed by: Diánna Martin
For the benefit of CEDARS

A lonely NYPD officer and a trauma nurse are stranded together on the infamous night of a former Beatle’s death. Although an unlikely pair, they are able to find a glimpse of hope in one another amidst a night of tragedy.

Running Time: 70mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Wed. June 1st 7:30pm | Sat. June 4th 3pm | Sun. June 5th 5pm                     Fri. June 10 9:30pm | Tues. June 21st 5pm | Thurs. June 23rd 8:30pm

*

CECILE
Written by: Jean Anouilh
Translated and Directed by: Victoria Crutchfield
For the benefit of the NY Public Library (Brooklyn)

Fashions change but sexual intrigue is always in. In this delightful “piece brillante”, the great French playwright Jean Anouilh dresses up his natural cyncism in the style of a Moliere farce. Dressed up in the fantastically frivolous outfits of this era - a modern take on a modern take.

Running Time: 75mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Wed. June 1st 9:30pm | Thur. June 2nd 7pm | Sat. June 4th 11am              Mon. June 6th 5pm | Fri. June 10th 7:45pm | Sat. June 12th 3pm

*

CODE NAME: OPERATION LYSISTRATA!
Written and Directed by: Yvette Heyliger
Music by: Larry Farrow
Choreographed by: Yvonne Farrow
A Twinbiz production benefiting adoptaplatoon.org

First Lady Laura Bush tries to enlist wives of the architects of the impending war in Iraq in a preemptive sex strike—will she succeed?

Running Time: 2hrs.
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Tues. June 7 8:15pm | Fri. June 10 4:30pm |Sun. June 121:30pm                  Mon June 13th 4pm | Thurs June 16 6pm | Sat June 18 6:10pm

*

A CORDIAL INVITATION
Written and Directed by: J.C. Svec
A Tribe Productions performance benefiting the National Disaster Search Dog Foundation

For the bride and groom, a wedding reception is the culminating celebration with family and friends. It can also be a time of social stress, produced by romantic anticipation, second guesses and ill-fated dates. You are cordially invited to witness three such incidents.

Running Time: 90mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Mon. June 13th 6:30pm | Wed. June 15th 8pm | Sat. June 19th 12pm      Tues. June 21st 7pm | Thurs. June 23rd 4:30pm | Sat. June 25th 8:30pm

*

THE DECLARATION
Written and Directed by: Rick Leidenfrost-Wilson
An Off Sides Entertainment Production benefitting Marriage Equality New York

Spurred by the anti-marriage vote, a gay teacher decides to run for the New York Senate. As this unlikely candidate campaigns to change a broken system and champion the lives of others, his own life comes under fire and he finds himself fighting to protect his career, friendships, and family.

Running Time: 125mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Weds. June 1st 6:30pm | Mon. June 6th 6:30pm | Sun. June 12th 8p            Sun. June 19th 5:45pm | Sat. June 25th 8pm | Sun. June 26th 1pm

*

ETHAN’S PEOPLE
Written by: Richard L. Gaw
Directed by: Rose Ginsberg
For the benefit of the Michael J. Fox Foundation for Parkinson’s Research

On the day of an American tragedy a young boy composes a nursery rhyme, words that form the centerpiece of a story about lives shattered in the wake of unspeakable horror.

Running Time: 75mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Sat. June 4th 7pm | Sun. June 5th 9pm | Sun. June 12th 11am                   Mon. June 13th 4:30pm | Fri. June 24th 6pm | Sat. June 25th 1pm

*
THE FATHER
Written by: August Strindberg
Directed by: Oscar Mendoza
A The Mush-Room Theatre Design production benefitting CEDARS

In order to win an argument over how to raise their daughter, a woman tricks her husband into thinking that he is not the biological father.

Running Time: 90mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Sat. June 11th 12pm | Mon. June 13th 6:30pm | Sun. June 19th 1:30pm    Tues. June 21st 6pm | Fri. June 24th 8:45pm | Sat. June 25th 2:00pm

*

FIDELITY
Written and Directed by: Larry Schwartz
For the benefit of RAINN

Tom and Alison are married and decimating their relationship...maybe even each other. A dark, comedic thriller about a modern relationship—with deceit, betrayal, and the need to feel wanted…all at any cost.

Running Time: 80mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Fri. June 10th 4pm | Sat. June 11th 11am | Sun. June 12th 7pm

*

FINDING ELIZABETH TAYLOR
Written by: Elizabeth Taylor
Directed by: Morgan Gould
For the benefit of Hollaback! NYC

What does it feel like to be the most beautiful woman in the world? THIS Elizabeth Taylor certainly doesn’t know. Between skinny, blond roommates, monstrous treadmills and an infamous pair of ill-fitting Bongo jeans, it’s a wonder she can make it to her Overeaters Anonymous meeting on time. Will Elizabeth ever find her true self because of, and despite, a legendary name?

Running Time: 75mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Wed. June 15th 6:00pm | Thur. June 16th 5:00pm | Sun. June 19th 4:00pm  Mon. June 20th 8:30pm | Wed. June 22nd 5:30 pm | Sat. June 25th 6:30pm

*

GOLIATH
Written by: Rivera Takeo
Directed by: Alex Mallory
A Poetic Theater Productions performance benefiting Veterans of Foreign Wars

Goliath is a choreopoem addressing the Iraq war’s effect on American idealism. An exploration of manhood and war, of violence at home and abroad, Goliath paints an intimate portrait of a soldier who has lived a life “too big, too real, too normal” to allow him peace.

Running Time: 80 mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates:
Weds. June 1st 9:05pm | Sat. June 4th 9pm | Sun. June 5th 1:15pm | Tues. June 7th 6:15pm |   Sat. June 11th 6:15pm | Sat. June 18th 2:00pm

*

HE’S NOT HIMSELF
Written by: Marc Silverberg
Directed by: Michael Pantone
For the benefit of Broadway Cares/Equity Fights Aids

Gene has a problem: he is living a double life, involved in a diamond heist, wanted as a fugitive, and has no idea that any of this is happening! HE’S NOT HIMSELF is a musical comedy inspired by George Gershwin’s PARDON MY ENGLISH.

Running Time: 90mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Weds. June 1st 4:30pm | Fri. June 3rd 8:10pm | Sun. June 5th 5:00pm              Sat. June 11th 2:00pm | Sun. June 12th 4:00pm | Fri. June 17th 6:00pm

*

HELL IS WHERE THE HEART IS
Written by: Melissa Skirboll
Directed by: Thom Fogarty
For the benefit of MCC Homeless Youth Service- Sylvia’s Place

A comedic look at sibling rivalry and dysfunctional families, fueled by bad dreams and unreliable psychic gifts. As circumstances force the sisters to confront their past, long buried family secrets surface. This family comedy meets theatre of the absurd, as reality shifts.

Running Time: 90mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Fri. June 3rd 6:00pm | June 4th 1:00 pm | Thur. June 9th 4:00pm                Tues. June 14th 8:00pm | Thur. June 16th 7:00pm | Sat. June 18th 4:00pm

*

HUMMINGBIRDS
Written by: Jonathan Wallace
Directed by: Karen Raphaeli
For the benefit of Amnesty International

Hummingbird and Holly love computer games, Micky D’s french fries, and their day job, flying pilotless drones for the CIA.

Running Time: 90mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Wed. June 1st 7:30pm | Sun. June 5th 7:00pm | Fri. June 17th 5:00pm        Sun. June 19th 2:00pm | Fri. June 24th 8:00pm

*

I AM SINGLE
Written by: Michelle Slonim and Adrienne Sterm
Directed by: Michael Schiralli
A Date My Jewish Friend, Inc. production benefitting Eldridge Street Synagague

Everyone knows, you’re more likely to meet someone when you’re either not looking, unavailable or at a wedding.  It is Michelle's wedding day, and instead of having a wedding reception Michelle is hosting a dating show to help the singles in the house find love, too.  But, as Michelle soon learns, sometimes before we can help others find love we have to first help ourselves.

Running Time: 90 Mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Mon. June 20th 4pm | Wed. June 22nd 6pm |Thurs. June 23rd 8:10pm Sat. June 25th 4pm

*

LOOSE WOMEN OF LOW CHARACTER
Written by: Mary Belmont
Directed by: Shauna Horn
For the benefit of Girls Inc.

On the edge of a desert town, passing strangers tell this mosaic of humor, pain, pleasure and confessions of being “loose women of low character”.

Loose women of low character (noun): a female of low moral regard, referred to in a sexual nature as bad, naughty, slut, slammy, ho, hussy, tramp or trick.

Running Time: 75mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Tues. June 7th 6:00pm | Sat. June 11th 7:00pm | Mon. June 13th 8:30pm      Sat. June 18th 12:00pm | Thurs. June 23rd 6:30pm | Fri. June 24th 4: 00pm

*

THE OTHER DAY
Written by: Mark Jason Williams
Directed by: Valentina Fratti
For the benefit of the Hetrick-Martin Institute

After the sudden death of his longtime boyfriend, Mark travels to Amsterdam to fulfill a promise. But when Mark’s luggage-containing his lover’s ashes-turns up missing, he embarks on a journey filled with heartbreak, humor and unexpected romance that will redefine his life-- with surprising results.

Running Time: 75mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Thurs. June 2nd 8pm | Sat. June 4th 7:15pm | Sun. June 5th 3:15pm          Sat. June 18th 12:00pm | Tues. June 21st 4:00pm | Weds. June 22nd 8:00pm

*

OUT OF ASKJA
Written by: Drew Larimore
Directed by: Jesse Edward Rosbrow
A Small Pond Entertainment Production benefiting tbd.

Caroline Miller fell off a volcano, not just any volcano, Askja, in the middle of Iceland. Torn between her research for her latest project and a budding romance with the volcano’s cowboy overseer, Caroline is attempting to do the impossible-- get out of Askja before Askja gets her.

Running Time: 90mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Sat. June 4th 1:40pm | Sun. June 5th 7:00pm | Thurs. June 9th 6:30pm          Fri. June 10th 9:00pm | Thurs. June 16th 4:00pm | Thurs. June 23rd 6:10pm

*

THE SLOW, TORTUROUS LOVE AFFAIR OF STATEN ISLAND & PERTH AMBOY
Written by: Alexis Kozak
Directed by: Jesse Edward Rosbrow
A PCTF intern production

When Paul Bunyan and Babe the Blue Ox eat their way across the country from California to Perth Amboy, NJ, what’s to stop them from devouring NYC’s most underrated borough, Staten Island?! Special appearances by Staten Island, Perth Amboy, an earthquake, Benjamin Franklin, a flock of seagulls, and some crabs!

Run Time: 1hr
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Wed. June 22nd 4:00pm | Sat. June 25th 6:00pm

*

SWEETER DREAMS
Written and Directed by: Duncan Pflaster
For the benefit of the Christopher and Dana Reeve Foundation

A rising independent filmmaker must choose between the two men she loves: her husband and her star actor. Meanwhile, a critic with a grudge is attempting to spoil her success.

Running Time: 90 mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Thur. June 2nd 9:00pm | Sat. June 4th 9:00pm |Sun. June 5th 1:00pm        Tues. June 7th 4:00pm | Sat. June 11th 5:00pm |Sat. June 18th 6:00pm | Tue. June 21st 9:00pm Sat. June 25th 3:00pm

*

THE TRAMAINE EXPERIENCE: AN URBAN DRAMEDY
Written by: Tramaine Montell Ford
Directed by: Bill Johnson
For the benefit of the United Way of NYC

A fresh, hip, art-house theatrical work emerging from a burgeoning generation of thought performance art. Tramaine Montell Ford takes us on a hilarious journey to The Carbrini Green Projects and highlights the humanity we all share beyond stereotypes, in this one-man dramatic comedy!

Running Time: 75mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Tues. June 14th 6:00pm | Thur. June 16th 9:00pm |Sun. June 19th 9:00pm

*

TULUPA, OR ANNE&ME
Written by: Shawn C. Harris
Directed by: Sara Lyons
Produced by the Crossroads Theatre Project benefiting The People’s Institute for Survival and Beyond

A strange friendship begins with an artist whose lonely world gets turned upside down when Anne Hathaway crawls out of her television. As the friendship blossoms, they begin to examine how race impacts their lives as women, as friends, and as human beings.

Running Time: 90mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Thur. June 2nd 6:00pm | Fri. June 3rd 4:00pm | Thur. June 16th 8:00pm              Sun. June 19th 8:15pm

*

TWO DAYS ‘TIL DAWN
Written by: Tyler Ham Pong
Directed by: Laura Sisskin-Fernandez
For the benefit of the Lower East Side Ecology Center

A troubled writer risks his grasp on reality in search of inspiration. Disconnecting from his family, and with potentially more at stake, he seeks salvation through the advice given by the ghosts of three literary figures.

Running Time: 50mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Wed. June 8th 9:30pm | Sat. June 11th 3:00pm | Sun. June 19th 6:00pm           Wed. June 22nd 7:00pm | Sat. June 25th 5:00pm

*

WANDERLUST
Written and Directed by: Leslie Guyton
A production by Movement Workshop Group benefiting the New York Blood Center

WANDERLUST (fire) ignites life into a story of cosmic love, inner conflict and forgiveness. Through a landscape of light bulbs, a live rock band and five extraordinary actors/dancers bring to life Movement Workshop Group’s newest work, WANDERLUST.

Running Time: 90mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Wed. June 8th 6:30pm | Sun. June 12th 11:30am | Mon. June 13th 8:30pm Mon. June 20th 8:00pm | Fri. June 24th 4:30pm | Sat. June 25th 12:00pm

*

WHAT ARE YOU DOING HERE
Written by: Maria Alexandra Beech
Directed by: Michelle Bossy
For the benefit of Hogar Bambi (Venezuelan Orphanage)

As an actress performs a play about a woman’s relationship, she is unexpectedly confronted by her ex-boyfriend in the audience. As the actress struggles with her thoughts, both the actress and the character grapple with unresolved love.

Running Time: 90mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Sat. June 4th 5:00pm | Sun. June 5th 3:00pm | Mon. June 6th 7:00pm        Thurs. June 9th 8:00pm | Sat. June 11th 9:00pm |Sun. June 12th 1:00pm

EVENINGS OF MULTIPLE PRODUTIONS                                                               

A EVENING OF ONE ACTS:
For the benefit of the World Wildlife Foundation

GALILEO THE MUSICAL Written by Marisol Tirelli Rivera Directed by Jenny Fersch
After an interrogation by Conservative Senators on climate change research, NASA Administrator, Dr. John Holden embarks on a soulful journey to the past in the life of Galileo Galilei in his quest to save the environment and preserve intellectual freedom.

THE GOD PARTICLE Written by Christina Gorman Directed by Joan Kane
On a winter’s night in Switzerland, Gavin and Izzy collide in what appears to be sexual attraction. They quickly find out that it is something much different, and much more scientific.  With particles flying, not even they know what’s in store for them.


THE MATRA INDIA Translated, Adapted and Directed by Roi “Bubi” Escudero
The matra’s textile arose from thousand-year-old indigenous cultures. In Argentina, this small blanket has been a component of the gauchos’ vestments for centuries. It’s been used on top of the horse as part of the apero (mount), and at night it gives shelter to the gauchos arrieros (riders).

Running Time: 1 hr 45mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Weds. June 8th 8:30pm | Sat. June 11th 4pm | Weds. June 15th 6:30pm    Sun. June 19th 3:30pm | Sat. June 25th 12pm


*

INFLUENCES and FREEDOM TOWER
For the benefit of St. Jude’s Children’s Research Hospital

INFLUENCES
Written by Fidel Fontenboa
Taking place over the course of one week, INFLUENCES is a study in how friends can change the dynamics of a family.  Sometimes for the better and sometimes now.

FREEDOM TOWER
Written by Gabrielle Fox
FREEDOM TOWER: A couple struggles with the right way to grieve the loss of their children post-9/11

Running Time: 75 mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Fri. June 10th 7:00pm | Sat. June 11th 8:15pm | Tue. June 14th 8:40pm        Wed. June 15th 4:30pm

*

FACE DIVIDED & THE MUTILATION OF ST. BARBARA
FACE DIVIDED
Written by: Edward Allen Baker and Mark Brokov
Directed by: Karen Giordano
THE MUTILATION OF ST. BARBARA
Written and Directed by: Mark Borkowski

An Indies Lab Production benefiting the Actor’s Fund or Rehabilitation Through the Arts

Two character driven pieces exploring the dynamic between couples clinging to one another, long after the relationships’ expiration date.

Running Time: 80 minutes
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Sat. June 4th 5:30pm | Mon. June 6th 9:00pm | Weds. June 8th 4:30pm    Sun. June 12th 6:00pm | Fri. June 17th 8:00pm | Sun. June 19th 11:30am

*

MONSTER and HOLD
MONSTER
Written by: Sabrina M. Patterson, Directed by: Gregory Allen
For the benefit of RAINN

Annie’s mind is broke. The sole witness to the brutal murder of her father, can she put the pieces back together and identify the killer? Who is the victim and the perpetrator in this story of unthinkable acts and damage that can’t be undone?

HOLD
Written by Ruben Carabajal, Directed by: Kelly Johnston
For the benefit of the Suicide Prevention International

A dark, absurdist comedy about a man who calls into a suicide prevention hotline for help and keeps getting put on hold. Each successive person he encounters is stranger, funnier and more disjointed than the next, until he encounters his worst fears over the phone.

Running Time: 75mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Tues. June 7th 8:00pm | Wed. June 8th 4:00pm | Sun. June 12th 5pm             Sat. June 18th 2:00pm | Sun. June 19th 7:30pm | Mon. June 20th 6:30pm

*

THE STRANGER TO KINDNESS and ROPE OF SANDS
Two one-acts dealing with non-communication, tragedy and loss by award winning playwrights David Stallings and Toni Seger.
THE STRANGER TO KINDNESS
Written by David Stallings
Directed by: Heather Cohn
A Goode Production benefiting the Retired and Senior Volunteer Program
Years of routine bind Lena and Nance, two lonely senior women from the Upper West Side. When Nance no longer answers her door, Lena take on herself to call the police and her friend’s family. What arrives is a strange dose of animosity and generousness from unlikely places.

ROPE OF SANDS
Written by Toni Seger
Directed by: Reneé Rodriguez
A Curious Frog Theatre Company production benefiting the Coalition for Hispanic Family in Queens.

Running Time: 90mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Performance Dates: Fri. June 3rd 6:00pm | Sat. June 4th 11:30am | Tues. June 14th 6:30pm    Weds. June 15th 8:45pm |Sat. June 18th 4:00pm | Thurs. June 23rd 4pm

*

WOMAN IN THE DARK and BECOMING EMMA GOLDMAN
WOMAN IN THE DARK
Written by Elizabeth Murray
Directed by Erika Iverson
For the benefit of Amnesty International

Dangling between hilarity and terror, a young woman is trapped in an elevator above Grand Central Station during the Blackout of 2003. Elizabeth Alice Murray takes on multiple characters as she recounts her journey from panic and anxiety to resentment and optimistic mania as she befriends and alienates her elevator fellows and reflects upon the larger questions and possibilities of “being in the dark.”

BECOMING EMMA GOLDMAN
Written and directed by Maggie Surovell
For the benefit of Madre

When Anna finds Emma Goldman’s autobiography on her grandmother’s bookshelf and then Eygpt, Wisconsin, and Japan hit the news, her New York City reality unexpectedly shatters.  How will she support Emma’s fight for unions, anarchism, and free love with a daily deal from Groupon in her inbox?


Running Time: 75mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Performance Dates: Fri. June 10th 6:00pm |Tue. June 14th 4:00pm |Sat. June 18th 8:00pm


READINGS                                                                                                                                        
All readings will be followed by a talk-back in the lounge.

ALL’S FAIR (Six Western)
Written by: Sergei Burbank
Directed by: Leah Bonvissuto
A Conflict of Interest Theater Company’s production benefitting Reporters without Borders

Emily’s Patterson’s husband is held captive in Palestine. Working for his release, she discovers an ongoing affair with his ex-wife. When he seemingly returns out of thin air, Emily must turn to her rival for help discerning truth from fiction, as her wildest dream becomes a nightmare.

Running Time: 90mins
Performance Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date:  Mon. June 13th 2:00pm

*

BECKY NEEDS TO GET LAID
Written by: Olivia Lilley
For the benefit of the LGBT Center of NY

Becky, the kind of girl never far from a leopard print anything, is tired of having crazy adventures, every other night, that often result in her banging some extremely hot guy. Tonight, she’s got a date with the bassist of emo band, “One More Cut”. 

Quint, the kind of boy determined to be a husband and father by the time he’s twenty-four, lives in the apartment next door and just proposed to his girlfriend of three years, Lucy.

When Becky finds out about Quint & Lucy, she decides the only way she can go through with this date is if it's a party...

Running Time: 90mins
Performance Location: The Gene Frankel Theatre, 24 Bond St.
Reading Date: Tuesday June 21st 2pm

*

DIALING FOR DONNA
Written by: Pam Monk and Stacy Glen Tibbetts
Director: TBD
Music Director: Markus Hauck
An Original Theatre Works production benefitting Broadway Cares/Equity Fights Aids

Flamboyant radio advice show host Donna Corleone enjoys the support of her loyal Brooklyn-Italian listeners. But what will she do when her scheming ex-lover returns to the neighborhood, hoping to buy out her station? Loyalty and community bonds are tested in this family-friendly new musical. “Melodious!” – Peter Filichia

Running Time: 90mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date: Friday June 24th 12:00pm

*

DISENCHANTED
Book, Lyrics and Music by: Nikki M. Jenkins
Directed by: Aaron M. Pratt
Music Director: Brad Gardner
For the benefit of Play for Pink

Once upon a time, in a far-away land called Manhattan, there lived a socialite named Mandi. Blonde, beautiful, and unbelievably rich, this paparazzi princess led a fairytale life. But alas! Unbeknownst to Mandi, she had been living under the spell of a terrible white lie, and her world was about to come tumbling down.

Running Time: 90mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date: Tuesday June 21st 2:00pm

*

FRACK YOU!
Written by: Laura Jacobs Cunningham
Directed by: Katherine Bacon
A Parlor City’s Players production benefitting the Sierra Club

Molly, a fire-breathing environmentalist, opposes fracking the Catskills because it could jeopardize Manhattan’s water supply. Nozmo wants his land fracked for big bucks. Frick and Frack, gay welders for Henley Drilling, are just happy to have jobs. Add Joe,  Molly’s boyfriend, and clueless Charlie to the toxic mix and stand back!

Running Time: 40mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date: Thursday June 9th 2:30pm

*

FRONTIER
Written by: Robin Rice Lichtig
Directed by: Joan Kane
An Ego Actus production benefiting the Lower East Side Ecology Center

After an environmental tragedy, Aurora turns to activism. Following years of futile effort, she falls in love and abandons her efforts to make a home with her tv-addicted husband. Things go from bad to worse. Would howls warnings. Mother Nature rumbles. Political leaders are obtuse. Mankind balances on the edge.

Running Time: 90mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Dates: Thursday, June 23rd at 12:00pm

*

FULANA
Written by: Felippe Ossa
Directed by: Leah Bonvissuto
A production benefitting the Nonprofit Enterprise and Self-Sustainability Team

Fulana is a young foreigner with a shady identity who finds work serving two dinner parties in a wealthy Upper East Side co-op. But there are problems. The hostesses are hostile neighbors, the dinners are at the same time, and Fulana’s entrées are so good they might just be criminal.

Running Time: 120mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Dates: Wednesday June 8th 2:00pm

*

HOWLING HILDA
Book and Lyrics by: Anne Berlin
Music By: Andrew Bleckner
Directed By: Valentina Fratti
For the benefit of The All-American Girls Professional Baseball League

Set on the eve of the Brooklyn Dodgers’ last season in New York, Howling Hilda, a solo musical, tells the story of Hilda Chester, the team’s greatest and most colorful fan. Thwarted in her dream to play baseball, she spent a lifetime cheering. Hilda became an institution at Ebbets Field, notorious for her clanging cowbells, frying pan and iron ladle.

Running Time: 80mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date: Friday June 16th 2:00pm

*

INVERSION OF THE BABY SNATCHERS
Written by: Ed Malin
Directed by: TBD
For the benefit of the National Council for Adoption

Babies are kidnapped and disappear everyday.  Some of these children are put up for adoption in the West under false pretenses.  Computer jobs also disappear – to India. Join some STAR TREK fans East and West as they search for a missing child.

Running Time: 45mins
Reading Location: The Gene Frankel Theatre, 24 Bond St.
Reading Date: Friday, June 17th 3:30pm

*

LATE NIGHTS WITH THE BOYS: CONFESSIONS OF A LEATHER BAR CHANTEUSE
Written by: Alex Bond
Directed by: Steven Yuhasz
For the benefit of PFLAG

Alex Bond and David Carson read from Ms. Bond’s novel. A hit at numerous festivals in the U.S. this book reading transports listeners back to Dallas 1977 with delightful and poignant tales of a Southern Chanteuse and her gay family of friends in this pre-AIDS wildly magical era.

Running Time: 80mins
Reading Location: The Gene Frankel Theatre, 24 Bond St.
Reading Date: Friday June 17 at 7:00pm

*

MARTIRIO
Adapted from Federico Garcia Lorca’s The House of Bernarda Alba and Directed by: Glory Kadigan
A G-Money Productions performance benefitting WIN

From a distance, all appears to be in perfect order in the house of the wealthy Bernarda Alba. Her daughters are the pillars of society. But behind the white closed doors of this 1930’s Spanish home, are five jealous sisters with loyalty to no one but their own individual ambitions.

Running Time: 2hrs
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date: Tuesday June 14th 2:00pm

*

MAYDAY! MAYDAY!
Written and Directed by: Dale Wakonen
For the benefit of EMBARQ

The gasoline car is the thrill of the new century as Clarence plots to take his sweetheart, Anita, for a ride, knowing that she despises the dirty dangerous Pierce Arrow.  World War I is on the doorstep and propaganda is the word of the day.  Clarence must choose between his work and his family – can Anita save him and the world as she knows it? Mayday! Mayday!

Running Time: 90mins
Reading Location: The Gene Frankel Theatre, 24 Bond St.
Reading Date: Monday, June 20th 2:00pm

*

THE ORANGE PERSON
Written by: Brian Rady
Directed by: Jeremy Bloom
A production benefitting the LGBT Center of NY

This is a play about a guy turning orange.

Running Time: 90mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date: Tuesday June 14th 4:30pm

*

PIECES
Written by: Kristen Penner and Lorelel Mackenzie
Produced by Violet Productions for the benefit of isurvive.org

How did I get here? Who are you? What did I just say? No answer, just darkness. This is Tabby’s life as a multiple. The clock ticking out her confusion and shame. Can she maintain a normal life while uncovering the horrors of her past? Only time will tell.

Running Time: 120 mins
Reading Location: The Gene Frankel Theatre, 24 Bond St.
Reading Date: Monday, June 22nd 2:00pm

*

PUSHING DAISY
Written by: Lauren Epsenhart
Directed by: TBD
For the benefit of Sloan-Kettering Cancer Research

Daisy Miller has just graduated from college. After moving back home with her parents, Larry and Shannon, Daisy is diagnosed with cancer. Once surgery and treatments begin, Daisy explores her spiritual identity while Larry and Shannon question why this is happening and struggle with what will happen if Daisy dies.

Running Time: 90mins
Reading Location: The Gene Frankel Theatre, 24 Bond St.
Reading Date: Thursday, June 23rd 2:00pm

*

THE RECESSION CLUB
Written by: Christina Quintana
Directed by: Tyne Rafaeli
For the benefit of Hospice of NY

Yolanda loses her job as a petroleum engineer and forms a support group via craigslist. The unlikely cohorts, including a former college professor, a former retail employee and a woman of questionable background, face an identity crisis. Together, they learn that what you do is not who you are.

Running Time: 90mins
Reading Location: The Gene Frankel Theatre, 24 Bond St.
Reading Date: Wednesday, June 15th 4:00pm

*

STANLEY’S WORLD
Written by Alexandra Klausner
Directed by Ryan Emmons
For the benefit of the Gynecologic Cancer Foundation

Stanley’s world is turned upside down when father dies. He believes he is a visitor from another planet made entirely of Jelly Beans. Stanley’s new alien identity confronts a number of characters in New York City, some of whom could be from another planet themselves. With humor and pathos, STANLEY’S WORLD explores death and its affect on a little boy and his mother.

Running Time: 45mins
Reading Location: The Robert Moss Theatre, 440 Lafayette Street
Performance Dates: Wednesday, June 15th 2:00pm

*

SWEET, SWEET SPIRIT
Written by: Carol Carpenter
Directed by: Cristina Alicea
A Carol Carpenter & Christina Alicea production benefitting PFLAG

When a gay teen’s father beats him to near-death in a small Republican town, his conservative family members square off in a battle for custody: Who is best to care for this child and can they find a place for him in their world?

Running Time: 90mins
Reading Location: The Robert Moss Theater, 440 Lafayette Street, 3rd Floor
Reading Date: Friday June 24th 2:00p

THE PLANET CONNECTIONS THEATRE FESTIVITY BIO:                                                                  

The Planet Connections Theatre Festivity is New York's premiere eco-friendly/socially-conscious theatre festival. Fostering a diverse cross-section of performances, the festival seeks to inspire artists and audiences both creatively and fundamentally, in a festive atmosphere. At the heart of the festivity are like-minded individuals striving to create professional, meaningful theatre, while supporting organizations, which give back to the community at large.

SPONSORS: Blue Dolphin, Build It Green NYC, Whole Foods Market

MEDIA PARTNERS: nytheatre.com, Review Fix, Theatre Is Easy

Theatre for a cause.

Organizations that will benefit from the productions at the festivity include
  1. National Disaster Search Dog Foundation,
  2. Brooklyn/NY Public Library,
  3. Cedars,
  4. Michael J Fox Foundation for Parkinson’s Research,
  5. RAINN,
  6. Hollaback NYC, 
  7. MCC Homeless Youth Service-Sylvia’s Place,
  8. Amnesty International,
  9. PFLAG, Girls, Inc,
  10. Christopher and Dana Reed Foundation,
  11. United Way of NYC,
  12. Lower East Side Ecology Center,
  13. Hogar Bambi (Venezuelan Orphanage),
  14. LGBT Center of NY,  
  15. National Council for Adoption,
  16. EMBARQ, 
  17. http://isurvive.org/isurvive.org,
  18. Sloan-Kettering Cancer Research,
  19. Gynecologic Cancer Foundation, 
  20. Adoptaplatoon.org,
  21. World Wildlife Foundation,
  22. Children’s Aid Society,
  23. Veterans of Foreign Wars,  
  24. Broadway Cares/ Equity Fights AIDS,  
  25. GrowNYC,
  26. Marriage Equality New York,
  27. CEDARS,
  28. Suicide Prevention International,
  29. People’s Institute for Survival and Beyond, 
  30. Coalition for Hispanic Families in Queens,
  31. Retired and Senior Volunteer Program,
  32. The New York Blood Center,
  33. Reporters Without Borders,
  34. Play For Pink,
  35. Sierra Club,
  36. Nonprofit Enterprise and Self-Sustainability Team,
  37. The All-American Girls Professional Baseball League, and
  38. WIN.