Wednesday, December 3, 2008

Coming: DOCTOR FAUSTUS & MORE AT RED BULL THEATER


RED BULL THEATER
presents


=>

Monday December 8th, 7pm

A STAGED READING OF

by Christopher Marlowe
with
PATRICK PAGE • BILL CAMP
• ELISABETH WATERSTON •
STEVEN RATTAZZI • ANDRE HOLLAND
SEAN MCNALL • ROBERT STANTON
and more

directed by MICHAEL SEXTON

Faustus sells his soul to the Devil for knowledge – only Marlowe could have told this tale this way!

http://www.redbulltheater.com/
212.352.3101

COMING SOON

=>December 9, 2008 – January 5, 2009

A full production of Thomas Middleton’s WOMEN BEWARE WOMEN
Featuring Geraint Wyn Davies, Jennifer Ikeda, Roberta Maxwell, Kathryn Meisle, Everett Quinton, and more.

SCHEDULE Tue-Fri 8pm / Sat 2pm & 8pm / Sun 3pm & 7pm

& Varies... Visit http://www.redbulltheater.com/2008/ for details

TICKETS $20 - $65


UPCOMING READINGS

=>Monday January 12, 7pm
ELECTRICIDAD: A Chicano take on the tragedy of Electra
by Luis Alfaro

Sophocles’ great classic re-imagined, set in a contemporary Los Angeles barrio.

Directed by Lisa Peterson

=>Monday February 23, 7pm
THE ROYAL HUNT OF THE SUN
by Peter Shaffer

A modern epic about the conquest of Peru by Spain and the destruction of the Inca Empire.

Directed by Joe Hardy

=>Monday March 2, 7pm
THE SIEGE OF NUMANTIA
by Miguel de Cervantes

A devastating play about honor, sacrifice, and the last days of Numantia by the creator of Don Quixote.

LOCATION

Dr. Faustus
Theater Row
410 West 42nd Street, between 9th & 10th Avenues

Other Events
Theater at St Clement's,
423 West 46th St.

http://www.redbulltheater.com/
212-352-3101, or 866-811-4111 (toll-free)


JESSE BERGER - ARTISTIC DIRECTOR
LONNIE COOPER - MANAGING DIRECTOR

Friday, November 21, 2008

Coming: MARY-LOUISE PARKER AS HEDDA GABBLER

Mary-Louise Parker is one of the most exciting actresses around. I saw her recently off-Broadway in Dead Man's Cell Phone and she was terrific. Of course, she is exceptionally captivating in Weeds. Casting her as Hedda Gabbler is a fascinating pairing:

Tony® and Emmy® Award winner Mary-Louise Parker ("Weeds," Proof) returns to Broadway to star as one of the greatest and most shocking female characters ever written. Roundabout Theatre Company presents HEDDA GABLER, a new production of Henrik Ibsen's modern classic

-adapted by Pulitzer Prize nominee Christopher Shinn (Dying City)
-directed by Ian Rickson (The Seagull)
-starring Tony winner Michael Cerveris (Sweeney Todd), Paul Sparks (Take Me Out) and Peter Stormare (Fargo).

-a strictly limited engagement.

Previews begin: January 6, 2009

To learn more, visit ROUNDABOUTTHEATRE.ORG

Roundabout Theater
American Airlines Theatre
Box Office - 227 West 42nd St. (btwn. 7th & 8th Aves.)

THE PUBLIC -- HAIR, SONDHEIM & MORE

The Public is bursting with activity: Here's some news I just received from The Public Theater -- it's a whole lotta stuff...

=>At The Public:

IF YOU SEE SOMETHING SAY SOMETHING

Created and Performed by MIKE DAISEY
Directed by JEAN-MICHELE GREGORY

TAKING OVER

Written and Performed by DANNY HOCH
Directed by TONY TACCONE


=>Public LAB — All Tix $10!

PHILIP ROTH IN KHARTOUMA
LAByrinth Theater Company Presentation
Starts Dec 4 — On Sale Now!

MANDY PATINKIN: Back at The Public!
On Sale Now — Two Weeks Only!

=>2008-2009 Memberships available now!
Memberships start at $142.50 — Save up to 43% off full price tickets!


=>The Public Theater's 2008-2009 season also includes premieres by
JOHN GUARE, CRAIG LUCAS, TRACEY SCOTT WILSON, and an add-on production by CHRISTOPHER DURANG!

TICKETS/INFORMATION:212-967-7555 or PUBLICTHEATER.ORG

=>ROAD SHOW

Music and Lyrics by STEPHEN SONDHEIM
Book by JOHN WEIDMAN
Directed and Set Designed by JOHN DOYLE

With Matthew Carlson, Michael Cerveris, Alma Cuervo, Aisha de Haas, Claybourne Elder, Colleen Fitzpatrick, David Garry, Alexander Gemignani, Mylinda Hull, Mel Johnson, Jr., Orville Mendoza, Anne L. Nathan, Tom Nelis, William Parry, Matthew Stocke, Katrina Yaukey, William Youmans, Kristine Zbornik

Spanning 40 years from the Alaskan Gold Rush to the Florida real estate boom in the ‘30s, Road Show is the story of two brothers whose quest for the American dream turns into a test of morality and judgment that changes their lives in unexpected ways. Director John Doyle (Sweeney Todd on Broadway), acclaimed for re-imagining Sondheim's works, joins Weidman and Sondheim in exploring some of the great American issues: real estate, capitalism and crooks.

Now thru Sun Dec 28
Tues at 7pm,
Wed - Fri at 8pm,
Sat at 2 & 8pm,
Sun at 2 & 7pm
Added Perfs:
Wed 11/26 at 2, Wed 12/10 at 2, Wed 12/17 at 2, Mon 12/22 at 8

TICKETS: 212-967-7555 or PUBLICTHEATER.ORG

Rush Tix: There will be a limited number of $20 Rush Tix available at the box office for every downtown theater performance on sale to the general public one hour prior to curtain. There is a 2 ticket limit per person. Cash only.


=>Official Broadway HAIR Website is now live! Visit http://www.hairbroadway.com/ and sign up for the e-newsletter to receive the latest information on the future of HAIR!

* * *WIN 2 TIX TO THE BROADWAY OPENING NIGHT OF HAIR!
Enter to win 2 free tickets to the star-studded Opening Night performance and Cast Party of HAIR! (See: http://www.hairbroadway.com/)

To enter: Tune in to the Macy's Thanksgiving Day Parade, Thursday November 27, on NBC and watch the cast during a live on-air performance. Afterward, visit playbill.com to answer a question based on the performance for your chance to win. One lucky person will win the grand prize, plus four runners-up will each win a groovy HAIR Cast Recording.

HAIR starts performances at the Al Hirschfeld Theatre on February 13. Tickets go on sale to the general public December 6. Contest ends December 2. Only one entry per person.

=>Musical Theater & More at Joe's Pub

December is chock full of your favorite Broadway stars — catch them all, only at Joe's Pub:

LaChanze The Tony-award winner for her role in "The Color Purple," LaChanze brings her tremendous talents to the truly intimate setting of Joe's Pub. 12/1 & 2 at 7:00 PM, $30

Norm Lewis: This Is The Life CD Release Join Lewis on his night off from The Little Mermaid as he celebrates the release of his debut CD, "This is the Life," 12/1 at 9:30 PM, $30

A Night O' Naughton Kelli O'Hara is a little bit Broadway and Greg Naughton is a little bit Rock N Roll. Tonight, they bring their music (& friends) together for a special genre-mixing late night show, 12/1 at 11:30 PM, $25

Billy Porter: The Standard Porter returns to Joe's Pub for an evening of song, featuring new American Broadway standards, gospel, and soulful originals, 12/7 & 8 at 7:30 PM, $25

A Spring Awakening Holiday Concert To Benefit Safeplace Featuring the cast of the Broadway show "Spring Awakening," including special guest, original cast member Tony-Award nominee Jonathan Groff. The evening will feature all new arrangements by "Spring Awakening" vocal arranger Ann Marie Milazzo, and musically directed by Kimberly Grigsby.
12/15 at 11:30 PM, $25

For tickets and the complete Joe's Pub schedule visit joespub.com!

=>Not For Tourists announces a brand new product!
The NFT Wallet Map puts New York City in the comfort of your own pocket. Getting around town has never been easier thanks to NFT's stylish and user-friendly design. Each wallet map contains a MTA Subway and Bus Map, Address Locator, and 159 listings of NFT's favorite places to eat, drink, shop, and hang out. Pull it out. Check your destination. Fold it up. Repeat as necessary. Price: $5 Click here for the NFT web shop!

THE PUBLIC THEATER 425 LAFAYETTE STREET NEW YORK, NY 10003212-967-7555 PUBLICTHEATER.ORG

Tuesday, November 18, 2008

COMING: eKATHERINE KERR'S "THE EDGE OF CHAOS"

PLAYHOUSE ON THE GREEN PRESENTS STAGED READINGS...

The next entry in the “Page to Stage” Series takes place on Sunday, November 23 at 7PM when eKatherine Kerr’s play -- about a woman who decides to create a soap opera based on her life: "The Edge of Chaos" -- will receive a staged reading.

I've heard readings of selections from "The Edge Of Chaos" and it is very, very funny!


PLAYHOUSE ON THE GREEN
177 State Street, Bridgeport, CT 06604

Tickets: 866-811-4111
Information: (203) 333-3666
www.playhouseonthegreen.org

Friday, November 14, 2008

PHOTOS FROM HB'S STILLER AND MEARA GALA



Presentation of the Award!
Jerry Stiller, Eli Wallach, Anne Meara and Anne Jackson
All photos: by Eric Roffman from the Gala for QPORIT

The HB Studio -- one of New York's oldest acting studios -- was founded in 1945 by renowned actor Herbert Berghof. He was joined in 1948 by the legendary actress Uta Hagen. The two master teachers trained several generations of master actors in theater, theatre and film. On Monday, Nov 10, the HB Studio and the HB Playwrights Foundation honored Jerry Stiller and Anne Meara at a benefit Gala.


Jerry Stiller and Edith Meeks, Executive Director

Speakers, especially Jerry and Anne in their remarks, honored the tradition of the studio. Anne remembered her studies with great fondness. Jerry celebrated Herbert Berghof's passion for theater, recalling the time Berghof called him at two in the morning to come down to the studio to study, work on and read a new, strange play (Waiting for Godot). He remembered how Uta Hagen was nice, tough. After his audition, while accepting him into her acting class, Uta suggested that Jerry also work on keeping his day job.




Ben Stiller


Among the many speakers, Ben Stiller and Amy Stiller recalled what it was like to be brought up in a loving house with parents who were performers.


Jerry Stiller

Talking about bringing up children, Jerry mentioned that when Amy was about two, he was rehearsing a sketch called "I Hate You" with Anne and they were screaming at each other. When Amy came out of her bedroom, all upset, Jerry and Anne explained that they were rehearsing. Later when they had a real fight, Amy came out cheerfully to say... "You're rehearsing!"



Eli Wallach & Anne Jackson


The award was presented by Stiller and Meara's old friends, Eli Wallach and Anne Jackson. Anne Jackson is still actively teaching at HB Studio. Many distinguished alumni of the Berghof-Hagen era have taught at the school, including Bill Hickey, actress Jill Clayburgh and screen writer Tracey Jackson (whose "Confessions of a Shopaholic" is scheduled for release in Feb 2009).


Letty Ferrer, Uta Hagen's daughter,
an active member of the HB Staff,
was among the guests.



---
Anne Meara, David Amram and Ben Stiller


Among the entertainments at the Gala was a terrific, long concert by David Amram -- accompanied by his son and daughter in law.


Doris Roberts

Doris Roberts, an old friend of Stiller and Meara, was among the speakers.


Sam Groom

In the post Berghof-Hagen era, The HB Studio continues to evolve. Sam Groom, a link between the B-H era and the current world, teaches a class in acting for the camera. Anything other than pure theatre was very rare in the olde days.





Snezhana Chernova


Snezhana Chernova, a brilliant actress, acting teacher, and member of the staff, and her husband Aleksey Burago, who teaches directing, both of whom were trained in Russia (not at HB with Hagen & Berghof), are among the new generation at HB Studio. With his unique energy and style, Aleksey renews the tradition of passion for theater!



Julia Wolfermann



Performer Denusia Trevino


Julia and Denusia are members of a new generation of actors studying at HB and working with the HB Playwrights Foundation. At the Gala, Denusia presented an excerpt from the one-woman show she is developing at HB, about the immigrant experience.

Posters of productions with legendary directors, actors and playwrights line the walls of the Playwrights Foundation Theatre next door to the studio. Continuously operating through the years, recent productions have included a new adaptation of Chekhov's stories by Aleksey Burago, and work directed by Tony Award winning Jack Hofsiss, who also, currently, teaches directing at HB.

The re-assertion of the values of Hagen and Bergof and their passion for acting and theater were the spirit of the remarks by Stiller and Meara, and were then echoed in the comments of their children, Ben and Amy. As this Benefit Gala is a link to the past, it is the next generation... it is the evolution of HB into the future that will benefit!

Friday, November 7, 2008

STILLER AND MEARA HONORED BY HB STUDIO



The invitation to the Stiller & Meara Gala
perched on my desktop

HB Studio & HB Playwrights Foundation will host

A Gala Benefit to Honor Anne Meara and Jerry Stiller


MONDAY, NOVEMBER 10, 2008 at 6:00 P.M.
at The Players, 16 Gramercy Park South

I was lucky enough to take the class that Jerry Stiller taught one semester at the HB Studio. And on days he couldn't make it to class, I was also lucky enough to study with Anne Meara, who came in to substitute for him.

He was a kind and generous teacher. Nice to everyone, although he never liked my "English accent" in my scene from "The Real Thing". (I put "English accent" in quotes because he was right... I never did have a real English accent.)

It was a very good class. I had a wonderful time working on scenes with Isabelle Fokine (grandaughter of the great choreographer), perhaps the most charismatic scene partner I've ever had; and there were many other fine students in the class.

Stiller used free-form improvs and scene study, and remembrances of his own days as a student. When one student took off his shirt for a gritty scene, he talked about Uta Hagen's objections to Steve McQueen who, Stiller suggested, seemed to almost always act with his shirt off. Anne Meara was gently focussed on getting to the emotional heart of a relationship, often using targetted improvisation to zero in on the truth of a scene.

I was most impressed because, more so than perhaps any other teachers I've had at HB (and I've studied there off and on for decades with many teachers -- it's a great place!), they were people with a generous and deeply human warmth.



Here's more information about the benefit, and the recipients of the honors:

The Herbert Berghof (HB) Studio and the HB Playwrights Foundation will host a tribute to the acclaimed and accomplished actor/comedians Anne Meara and Jerry Stiller in a gala celebration at The Players Club on Monday, November 10, 2008. Richard Pergolis of Pergolis Swartz will be the Corporate Chair of the event and television personality Joy Behar will be the MC for the evening. Anne Jackson and Eli Wallach will present the third annual Herbert Berghof - Uta Hagen Achievement Award to Ms. Meara and Mr. Stiller, given in memory of the actor/director Herbert Berghof and his wife and partner, the storied actress and master teacher Uta Hagen. The award recognizes theatre artists of extraordinary talent, achievement, and humanity who, in the conduct of their professional and artistic practice, have demonstrated an exemplary commitment to the vitality, integrity, and mission of the theatre and its community.

The evening will include a cocktail reception, dinner, and a musical presentation featuring jazz musician David Amram and an excerpt from HB Ensemble member Danusia Trevino's one woman show "Wonder Bread." The tribute will also feature remarks by 2007 Honoree Fritz Weaver, John Guare, Kevin James, Doris Roberts, Amy and Ben Stiller and Joseph Benincasa, Executive Director of The Actors' Fund. Ticket prices range from $300 for an individual ticket to $5,000 for a table for 10 and a full-page tribute in the souvenir program for the event.

The honorary committee for the gala includes Jason Alexander, Barbara Barrie, Jill Clayburgh and David Rabe, Tom Fontana, New York State Assemblymember Deborah Glick, John Guare, Anne Jackson and Eli Wallach, Kevin James, Rochelle Oliver and Fritz Weaver, Carol Ostrow, David Hyde Pierce, New York City Council Speaker Christine Quinn, Doris Roberts, Jon Stewart, Christine Taylor and Ben Stiller, Amy Stiller, Renee Taylor and Joe Bologna, and Marlo Thomas.

For information and reservations, please email to gala2008@hbstudio.org, or contact Peter Bloch, Managing Director, at 212.675.2370 x6.



BIOS FOR ANNE MEARA & JERRY STILLER


Anne Meara has been nominated for five Emmy Awards. Her recent credits include appearances on Sex in the City and King of Queens. Her writing credits include After-Play produced Off-Broadway at Theatre Four and The Manhattan Theatre Club, for which she won the John Gassner Award. Another play, Down The Garden Paths, was done Off-Broadway and regionally starring Anne Jackson and Eli Wallach. Anne also created the role of Bunny in John Guare's House of Blue Leaves, received a Tony Award nomination for Anna Christie at The Roundabout Theatre, appeared in the feature film Like Mike, and in Night at the Museum with her son, Ben Stiller. She was also co-writer and star of The Other Woman, a CBS movie of the Week, which won a Writer's Guild Award.

Jerry Stiller was nominated for an Emmy Award and won the American Comedy Award for his portrayal of Frank Costanza on Seinfeld. He just finished nine years as Arthur Spooner on King of Queens. In film, Jerry was most recently seen as Mr. Pinky in the movie Hairspray and Doc in the Farrelly Brothers movie Heartbreak Kid, where he starred opposite his son, Ben Stiller. Broadway has seen Jerry in Hurlyburly, The Ritz and Three Men on a Horse, while other film appearances include The Taking of Pelham One-Two-Three, Airport '75, the original version of Hairspray, Zoolander (also with his son, Ben) and the starring role in The Independent. He has also lent his voice to animated films including Teacher's Pet, Lion King 3, Lion King 1½ and the CBS holiday special, Robbie the Reindeer.

As Stiller and Meara, Anne and Jerry played record-breaking engagements at Max Gordon's Blue Angel and The Village Vanguard and were seen on the Ed Sullivan Show 36 times and received many awards for their radio and TV commercials that include Amalgamated Bank, Blue Nun wines and United Van Lines. They have been honored with a Star on the Hollywood Walk of Fame; with the Productive Aging Award, presented by the Jewish Council For the Aging in Washington, D.C.; and with the Thalia Award from Humber College in Toronto.

Thursday, October 30, 2008

DAEL ORLANDERSMITH

Dael Orlandersmith has won a $50,000.00 prize from the Mrs. Giles Whiting Foundation.

As a playwright, Dael is a Guggenheim, Pen/Laura Pels Foundation Award and Lucille Lortel Playwrights Fellowship winner, and a Pulitzer prize finalist; and, as an actor, a Drama Desk Award nominee.

Dael has been teaching a class in writing for solo performance at HB Studio. I've been to the class. She is informative, helpful, and encouraging.

Along with Dael, nine other writers received prizes for their work.

Congratulations:

Mischa Berlinski, fiction. His first novel, Fieldwork, was a finalist for the National Book Award in 2007. He is at work on a second novel and living in Haiti.

Rick Hilles, poetry. His first collection, Brother Salvage, was published by the University of Pittsburgh Press. He is an assistant professor in the MFA Program at Vanderbilt University and lives in Nashville, Tennessee.

Donovan Hohn, nonfiction. His essays have appeared in Harper’s, The New York Times Magazine, Agni, The Bedford Reader, and Internazionale. His first book will be published by Viking in 2010.

Douglas Kearney, poetry. He is the author of Fear, Some (Red Hen Press, 2006) and the forthcoming collection, The Black Automaton, which will be published by Fence Books in 2009. He has an MFA in writing from the California Institute of the Arts, where he now teaches.

Laleh Khadivi, fiction. Her first book, The Age of Orphans, will be published by Bloomsbury in 2009. She is currently the fiction fellow at Emory University in Atlanta.

Manuel Muñoz, fiction. He is the author of two collections of short stories, Zigzagger (Northwestern University Press, 2003) and The Faith Healer of Olive Avenue (Algonquin Books, 2007). He lives in Tucson, where he is an Assistant Professor of Creative Writing at the University of Arizona.

Dael Orlandersmith, plays. Her plays include Yellowman, The Gimmick and her Obie-Award winning Beauty’s Daughter, in which she also starred. She is currently an artist-in-residence at Sarah Lawrence College, has been teaching at HB Studio, and is at work on a memoir..

Benjamin Percy, fiction. He is the author of two short story collections, The Language of Elk (Carnegie Mellon, 2006) and Refresh, Refresh (Graywolf, 2008). He teaches in the MFA program at Iowa State University in Ames, Iowa.

Julie Sheehan, poetry. She is the author of two collections of poems, Thaw (Fordham University Press, 2001), and Orient Point (Norton, 2006). She teaches in the graduate Writing and Literature program at Stony Brook Southampton and lives in East Quogue, New York.

Lysley Tenorio, fiction. He has recently completed a collection of short stories and is working on a novel. He lives in San Francisco and teaches at Saint Mary's College in Moraga, California.

Monday, October 27, 2008

Coming: DUST

DUST -- A Thriller

By Billy Goda
Directed by Scott Zigler
Starring Emmy® Award nominee Richard Masur and Tony Award® nominee Hunter Foster.

DUST is a power play.

Martin is an executive with money and a paunch. Zeke is an ex-con with street smarts and a minimum wage position.

Early one morning, in the fitness center of the Essex House, the battle of will begins over the most trivial of requests. And when Martin’s daughter Jenny becomes entangled in the situation, the stakes are raised even higher, escalating a war for respect into one for revenge and survival. Who will be standing when the dust settles?

Starring Emmy® Award nominee Richard Masur and Tony Award® nominee Hunter Foster:

Richard Masur (Martin) has appeared in over 80 movies during his career. Masur is also well-known to television audiences for his roles in "Rhoda," "One Day at a Time" and "All My Children." An Emmy® nominee for "The Burning Bed," his many Broadway and off-Broadway appearances include roles in "Democracy," "The Changing Room," "A Feminine Ending" and "Two Thousand Years."

Hunter Foster (Zeke) received an Outer Critics Circle Award nomination for his role in the original Broadway cast of "Urinetown" and Tony Award® and Drama Desk Award nominations for playing Seymour in the Broadway revival of "Little Shop of Horrors." He has also been seen on Broadway as Leo Bloom in the Tony Award® winning production of "The Producers."


TO ORDER:

Check for special offers: Special offers may be available from Telecharge.com.

1.
ONLINE. www.broadwayoffers.com.

2.
BY PHONE. Call 212-947-8844

3.
IN PERSON. Westside Theatre Box Office, 407 West 43rd Street (between 9th & 10th Avenues). Box office open Mon.-Sun. noon – 6pm.

If you have any questions or comments, please send an e-mail to tickets@telecharge.com.

Discounts available for large groups at Telecharge.com/Groups.

Friday, October 24, 2008

RED BULL READINGS: CENCI & MORE

RED BULL THEATER
presents
Monday October 27th 7pm
A STAGED READING OF
THE CENCI
by
Percy Bysshe Shelley
featuring
Roger Rees • Lisa Harrow
Ezra Knight • Matthew Rauch
John Douglas Thompson • Sam Tsoutsouvas
Julie Jesneck • Peter Kim • Ben Rappaport
Emma Canalese • Vayu O'Donnell

Tyranny, incest, and assassination – a 16th century tragedy comes to vivid life in the hands of one of the great Romantic poets.

Adapted and Directed by
Eleanor Holdridge

www.redbulltheater.com

212.352.3101


REVELATION READINGS
OBIE AWARD-WINNING READING SERIES CONTINUES

NOVEMBER – DECEMBER READINGS

Monday November 17, 7pm
THE MALCONTENT
by John Marston
A truculent tragicomedy, this scathing attack on government corruption is timely, terrifying, and disconcertingly amusing.
Directed by Ethan McSweeny (The Persians, 1001)
Featuring Matthew Rauch (Revenger’s Tragedy)

Monday December 8, 7pm**
**(SEE NOTE BELOW FOR THEATER LOCATION)
DOCTOR FAUSTUS
by Christopher Marlowe
Faustus sells his soul for knowledge – the classic tale, as only Marlowe could have told it!
Directed by Mark Lamos (Cymbeline)

DECEMBER 9, 2008 – JANUARY 5, 2009
A full production of
Thomas Middleton’s WOMEN BEWARE WOMEN
Directed by Jesse Berger


2009 READINGS

Monday January 12, 7pm
ELECTRICIDAD: A Chicano take on the tragedy of Electra
by Luis Alfaro
Sophocles’ great classic re-imagined, set in a contemporary Los Angeles barrio.
Directed by Lisa Peterson

Monday February 23, 7pm
The Royal Hunt of the Sun
by Peter Shaffer
A modern epic about the conquest of Peru by Spain and the destruction of the Inca Empire.
Directed by Joe Hardy

Monday March 2, 7pm
THE SIEGE OF NUMANTIA
by Miguel de Cervantes
A devastating play about honor, sacrifice, and the last days of Numantia by the creator of Don Quixote.
Directed by Moisés Kaufman

LOCATION
Theater at St. Clement’s
423 West 46th Street, between 9th & 10th Avenues
Subway: A/C/E to 42nd Street, Exit on 44th Street
Parking: 415 West 45th Street, between 9th & 10th Avenues
**Note: Doctor Faustus on December 8th will be held at Theatre Row, 410 W 42ndSt.

TICKETS
$25 Adults
$10 Students/Industry*
$65+ Subscription Packages Available

Purchase at www.redbulltheater.com
or call 212-352-3101, or 866-811-4111 (toll-free)

*Valid ID required.


Red Bull Theater is a 501 (c) 3 not-for-profit company dedicated to the presentation of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein. With a special focus on the Jacobean plays of Shakespeare and his contemporaries, Red Bull Theater aspires to challenge the intellect and engage the imagination of today’s theatergoers through language-based, company-created, resonantly provocative stagings of great classic stories.


JESSE BERGER
ARTISTIC DIRECTOR

LONNIE COOPER
MANAGING DIRECTOR

RED BULL
PO BOX 250863
NEW YORK NY 10025
www.redbulltheater.com
212.414.5168

Tuesday, October 7, 2008

FREE NIGHT NYC -- FREE THEATER !!!

Free Night NYC invites you to GET LIVE!

(Note -- Sep 29, 2010 -- This post below was written in 2008. For 2010 information -- and there is free theater again -- try freenightnyc.net. -- which might be overloaded -- or try Facebook: http://www.facebook.com/pages/Free-Night-NYC/149701913952 )

"Free Night NYC is offering 5,000 tickets to over 100 theaters across the city. Tickets will be offered to performances from October 16th, 2008 through October 30th, 2008 and can be reserved beginning October 1st at 10:00am on freenightnyc.net.

"Tickets are limited, first come, first served, but check back because more tickets may be added throughout October. In the event that tickets sell out in one day, a special group of tickets will be released Oct. 2nd to accommodate potential post Rosh Hashanah audience.

"On the national day of Free Night of Theater — Thursday October 16th 2008— we'll also be hosting a kick-off event in Union Square and an all city theater rocks party at Element, a club on the Lower East Side.

"Join us for a full day of celebrating the amazing diversity of New York theater! "

Thursday, September 25, 2008

EQUUS


EQUUS
incorporates at least six major elements, intricately and elegantly intertwined.

• The basic plot driver: Why did the boy blind six horses?

• The philosophical, psychological question: The conflict between human need for extreme passion (even if pathological) and health (even if absent any passion).

• The substitution of horses for male-female (and male-male) eroticism.

• Sadomasochistic and other extreme expressions of religious passion.

• The theatricality of the stylistic staging with men in brown body suits, wearing beautifully constructed and strikingly lit wire horse heads, playing the horses.

• And also nudity. Complete male and female nudity that was extremely daring when the play was first staged. Less so now, but heightened by the fact that in this production the nude 17 year old boy is played by Harry Potter (aka Daniel Radcliff).

EQUUS was written by Peter Shaffer and has had many successful revivals after a very successful initial run. It opened for previews in NY on Sep 5th, and the official opening is Sep 25th.

As most everyone knows, Daniel Radcliff (aka Harry Potter) is playing Alan. He is a boy whose crime of blinding six horses is being investigated by Dysart, a psychiatrist played by Richard Griffiths, (aka Dursley in the Potter films, and also known for "The History Boys") who is fascinated by the pagan passion possessed by Alan.

EQUUS (Latin for horse) is a play that also deals in themes of equi-sexuality (man-horse love) and equi-religiousity (horse as god).

The part of Alan, in addition to being required to make credible his insanity and his passions, also requires extensive and complete nudity. Radcliffe is just about perfect in the role. It is sensational, on-the-money acting.

Richard Griffiths, as the psychiatrist, and Anna Camp as Jill, Alan's friend, are also excellent.

The challenge in producing or directing the play, in addition to realizing the part of Alan, is to understand Dysart, who is arguably an even more important character than Alan. The problem is that we understand that Dysart is torn between his job of returning Alan to normalcy, and his fear that he is thereby taking away Alan's most essential passions. But it is not clear that he ever comes to catharsis or satisfying resolution of his dilemma.

For me, the major structural problem in the play is that it never addresses the legal fate of Alan after Dysart's treatment of him has completed. What are the stakes? Does Alan escape jail and have a chance to live a normal life if he is cured? Or is he then sent to prison for his crime stripped (as Dysart would say) of his passions. What might become of Alan is critical to understanding how important Dysart’s treatment is, and what its goals might be. It would be quite different depending on whether, after successful treatment, Alan would still end up in jail, or committed to an insane asylum, or be free and able to live a normal life.

This is a classic play, and a fine production: well acted, well directed, and staged with great style. Questions about the interpretation of the performances and of the play itself are part of the power of EQUUS.



(Note about the theater: It is time for Broadway theaters in general, and the Majestic in particular, to give each seat more room (people must be bigger now than when the theater was built), and expand the capacity of the rest rooms (which failed to service everyone needing them during the intermission). The theater seats are nicely raked, and there is no trouble seeing over the people in front (except when they stand prematurely to applaud). There are two rows of seating behind and over the stage. The first of these rows seems like they have a fine view; I'm not so sure about the second row. When it is raining, the theater should be able to let the audience in early, rather than letting them gather outside and beyond the overhang getting wet in the rain until the normal time to open the theater.)

Wednesday, September 24, 2008

SHOWBIZ EXPO


Julia Amsterdam
Associate Director, TVI Actor's Studio, NY
at Showbiz Expo

I rather enjoyed Showbiz Expo (Sep 21).

It is most appropriate for young actors. It's a medium size show, not quite at critical mass for other demographics in showbiz, but, since the exhibition is free, most directors, producers and more-advanced actors are likely to find something, or someone, or some company in the exhibition space that will be useful.

Actors starting out will find it very valuable.

There is a networking party, and seminars as well (not free).

I heard part of one talk by Alan S. Nusbaum, Chairman of TVI Studios. It was a solid presentation for actors starting to market themselves as paid professionals. I also talked with several members of the TVI staff, and TVI seems like an excellent place to learn commercial acting skills -- the kind of acting skills you need to land paid jobs.

Friday, September 5, 2008

Coming: CLOSE TIES

CLOSE TIES

by Elizabeth Diggs

The Frye family gathers at their vacation home in the Berkshires, ruled for three generations by Josephine, their willful matriarch and center of the family. But what happens as the younger Fryes discover their center cannot hold? Close Ties celebrates the humor, the truth and the mystery of family.

Directed by Pamela Berlin.

Featuring: Jack Davidson, Julie Fitzpatrick, Fiona Gallagher,David Gelles Hurwitz, Polly Lee, Carole Monferdini, Judith Roberts, Tommy Schrider

at Ensemble Studio Theater
549 West 52 Street, NY NY
212 247-4982

(Pamela Berlin is the distinguished director of the 1987 production of Steel Magnolias. I've studied with her. I can enthusiastically recommend anything she will direct; for that matter, anything at EST is worth recommending also!)

Previews: September 17 - 21 Wed - Sat & Mon, 7 pm > Sat & Sun, 2 pm
Opening Night: September 22, 7 pm
Performances: September 22 - October 12 Wed - Sat & Mon, 7 pm > Sat & Sun, 2 pm

Tickets: $30 Previews: $20 Students & Seniors: $15
Tickets at Ovationtix.com or by calling 212.352.3101

Sets: Michael Schweikardt
Costumes: Suzanne Chesney
Lights: Chris Dallos
Sound: David Lawson
Casting: Janet Foster, C.S.A.
Production Stage Manager: Mary Leach
Assistant Stage Manager: Christine Fisichella
Producer: James Carter
Associate Producer: Annie Trizna
Press Representative: David Gersten & Associates

Coming: KINDNESS

KINDNESS

A new play written and directed by
Obie Award winner ADAM RAPP(Red Light Winter, Essential Self-Defense)

An ailing mother (ANNETTE O'TOOLE, "Smallville") and her teenaged son (CHRISTOPHER DENHAM, Red Light Winter) flee Illinois and a crumbling marriage for the relative calm and safety of a midtown Manhattan hotel. Mom holds tickets to a popular musical about love among bohemians. Her son isn't interested, so Mom takes the kindly cabdriver instead, while the boy entertains a visitor from down the hall, an enigmatic, potentially dangerous young woman. Kindness is a play about the possibility for sympathy in a harsh world and the meaning of mercy in the face of devastating circumstances.

Also starring Ray Antony Thomas and Katherine Waterston.

SEPTEMBER 25 THRU NOVEMBER 2 ONLY!
Perfs. Tues-Fri at 7:30, Sat at 2:00 & 7:30, Sun at 2:00 & 7:00

* Purchase online at www.TicketCentral.com
* Call TICKET CENTRAL at (212) 279-4200 (Noon-8pm daily).
* Visit the TICKET CENTRAL box office window at 416 West 42nd Street between 9th and 10th Avenues (Noon-8pm daily).


Playwrights Horizons Peter Jay Sharp Theater
416 WEST 42ND STREET (BETWEEN 9th & 10th AVENUES)

Coming: LOVE AND WAR


Phil's Literary Works


presents a staged reading of a new play

LOVE AND WAR - A POLITICAL LOVE STORY
or what happens when enemies fall in love?

Written and directed by Phillip W. Weiss

A bitter Israeli soldier ... a beautiful Palestinian woman ... war ... passion ... romance

2 performances only!
Sunday, September 14th at 4:30 P.M.
Wednesday, September 17th at 7:30 P.M.

The Roy Arias Theater Center Off-Off Broadway Playhouse
300 West 43rd Street, 5th Floor, NYC
(212) 957-8358

Admission: $15.00 (payable by cash, check or money order)

pwnycny@aol.com

Warning: this play contains language and content not suitable for minors.Ticket purchases are non-refundable.

Tuesday, September 2, 2008

Coming: A NUMBER

The Clockwork Theatre Presents

A NUMBER

Written by CARYL CHURCHILL
Directed by BEVERLY BRUMM
Featuring:SEAN MARRINAN* & JAY ROHLOFF
September 6 - September 26, 2008
THE BECKETT THEATRE @ THEATRE ROW
410 West 42nd Street, between 9th and Dyer Avenues

"Like all Churchill's best plays, A Number deals with both the essentials and the extremities of human experience... The questions this brilliant, harrowing play asks are almost unanswerable, which is why they must be asked." - The Sunday Times

Caryl Churchill's play, A Number, centers around Salter, a father who is suddenly faced with the startling results of his decision to clone a child thirty years earlier. It is unexpectedly revealed that this experiment resulted in "a number" of sons, three of whom now confront him with the consequences of his actions. With unexpected turns, stunning developments and a dramatic examination of the issues of nature vs. nurture, A Number is both an emotionally compelling and intellectually provocative drama.

The production features scenic design by Larry Laslo, lighting design by Ben Tevelow, and costume design by Jocelyn Melechinsky. Sound by Jason Sebastian, Casting by Todd Thaler. Stephanie Cali is the Production Stage Manager.

Designer Larry Laslo was named as a Design Icon by The World Market Center Las Vegas in honor of his highly regarded interior design work. Laslo has become famous for his "liveable contemporary" style, which he's used in many commercial design projects, such as the Takashimaya flagship store and Bergdorf Goodman, both in New York.

A NUMBER plays the following regular schedule through Friday, September 26th:
Wednesdays - Saturdays at 8 pm;
Sundays at 2 pm .
Call Ticket Central at (212) 279- 4200.
www.ticketcentral.com.
Tickets may also be purchased in-person at the Theatre Row Box Office, 12 p.m. to 8 p.m. daily.

Thursday, August 21, 2008

MUCH ADO ABOUT NOTHING

What do you get when you mix a picnic lunch, your local NYC neighborhood park and a fun and friendly, no frills Shakespeare production?

Curious Frog Theatre Company's MUCH ADO ABOUT NOTHING!

IT'S A COMEDY. IT'S FREE. AND IT'S COMING TO A PARK NEAR YOU.

· SAT 8/23/08 SUNSET PARK
· SUN 8/24/08 ASTORIA PARK
· SAT 8/30/08 INWOOD HILL PARK (Very close to mi casa)
· SUN 8/31/08 EAST RIVER PARK
· SAT 9/06 BAISLEY POND PARK
· SUN. 9/07 RIVERSIDE PARK
· SUN 9/21 FORT GREENE PARK
· SAT 9/27 ASTORIA PARK
· SUN 9/28 QUEENSBRIDGE PARK

ALL PERFORMANCES AT 4:00 PM

Maps, Directions & ALL THE DETAILS AT:
WWW.CURIOUSFROG.ORG

Tuesday, August 19, 2008

REVELATION READINGS AT RED BULL THEATER

RED BULL THEATER

presents

REVELATION READINGS

OBIE AWARD-WINNING READING SERIES

September 15th 2008 – March 2nd 2009


SEPTEMBER – DECEMBER READINGS

Monday September 15, 7pm

A BENEFIT READING OF

RESTORATION COMEDY

by Amy Freed (The Beard of Avon)

New York Premiere, directed by Jesse Berger

Featuring Michael Urie (Ugly Betty, Revenger’s Tragedy), Bill Camp, and More!

A hilarious fusion of Vanbrugh’s classic sex-farce The Relapse and its wild prequel Cibber’s Love’s Last Shift, this new comedy is not to be missed.

VIP reception with the artists beforehand. Cocktail party with live music follows the reading.

Admission: $100 Reading & Party, $250 VIP Reception + Reading & Party

Reserve now at www.redbulltheater.com
or 212.352.3101


Monday September 29, 7pm

THE SILENT WOMAN

by Ben Jonson

This Jacobean gem is satirically savvy, with a surprisingly sexy twist.

Starring F Murray Abraham (Amadeus, Merchant of Venice)


Monday October 6, 7pm

A HORSE’S ASS

by David Greenspan, loosely adapted from Pietro Aretino’s Renaissance comedy, Il Marescalco.

1526. Mantua. A homosexual man will be forced at knifepoint to marry a woman. He’s tearing his hair out.

Directed by Leigh Silverman (Well)



Monday October 27, 7pm

THE CENCI

by Percy Bysshe Shelley

Tyranny, incest, and assassination – a 16th century tragedy comes to vivid life in the hands of one of the great Romantic poets.

Directed by Eleanor Holdridge

Featuring Lisa Harrow (Wit) and Roger Rees (Indiscretions)



Monday November 17, 7pm

THE MALCONTENT

by John Marston

A truculent tragicomedy, this scathing attack on government corruption is timely, terrifying, and disconcertingly amusing.

Directed by Ethan McSweeny (The Persians, 1001)

Featuring Matthew Rauch (Revenger’s Tragedy)



Monday December 8, 7pm

DOCTOR FAUSTUS

by Christopher Marlowe

Faustus sells his soul to the Devil for knowledge – the classic tale, as only Marlowe could have told it!

Directed by Mark Lamos (Cymbeline)



COMING THIS SEASON

A full production of
Thomas Middleton’s WOMEN BEWARE WOMEN

Directed by Jesse Berger

Tickets on sale soon…


2009 READINGS

Monday January 12, 7pm
ELECTRICIDAD: A Chicano take on the tragedy of Electra
by Luis Alfaro

Sophocles’ great classic re-imagined, set in a contemporary Los Angeles barrio.

Directed by Lisa Peterson


Monday February 23, 7pm
The Royal Hunt of the Sun
by Peter Shaffer

A modern epic about the conquest of Peru by Spain and the destruction of the Inca Empire, a clash of cultures brought about by an occupying force.

Directed by Joe Hardy

Monday March 2, 7pm
THE SIEGE OF NUMANTIA
by Miguel de Cervantes

A devastating play about honor, sacrifice, and the last days of Numantia by the creator of Don Quixote.

Directed by Moises Kaufman


LOCATION

Theater at St. Clement’s

423 West 46th Street, between 9th & 10th Avenues

Subway: A/C/E to 42nd Street, Exit on 44th Street

Parking: 415 West 45th Street, between 9th & 10th Avenues



TICKETS

$25 Adults

$10 Students/Industry*

$100/$250 Benefit

$65+ Subscription Packages Available

Purchase at www.redbulltheater.com
or call 212-352-3101, or 866-811-4111 (toll-free)


Red Bull Theater is a 501 (c) 3 not-for-profit company dedicated to the presentation of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein. With a special focus on the Jacobean plays of Shakespeare and his contemporaries, Red Bull Theater aspires to challenge the intellect and engage the imagination of today’s theatergoers through language-based, company-created, resonantly provocative stagings of great classic stories. Donations to Red Bull Theater are fully tax-deductible to the extent permitted by law.


DONATE
To give to Red Bull Theater right now, click HERE or go to http://www.redbulltheater.com/2008/cms.php?menu=join.


MAILING LIST
Don’t miss out on events that get announced by regular mail only. Send your mailing address to info@redbulltheater.com to be kept completely up to date. To Subscribe or Unsubscribe to email announcements, click here: http://www.redbulltheater.com/cgi-bin/dada/mail.cgi.




JESSE BERGER
ARTISTIC DIRECTOR
PO BOX 250863
NEW YORK NY 10025
www.redbulltheater.com

212.414.5168
info@redbulltheater.com

Friday, August 15, 2008

THREE CHANGES


THREE CHANGES


A new play by NICKY SILVER (Pterodactyls, The Food Chain)
Directed by WILSON MILAM (The Lieutenant of Inishmore, Killer Joe)

Nate (Dylan McDermott, "The Practice") and Laurel (Maura Tierney, "E.R.") are a comfortably married, Upper West Side couple-until Nate's wayward brother Hal (Scott Cohen, Drunk Enough to Say I Love You?) arrives from Hollywood. What at first seems a casual visit, a chance to reconnect, is quickly revealed as something more ominous. Hal may have had success, but human connection is all that matters, and he intends to make connections-no matter who pays the price.

Three Changes is a funny and darkly suspenseful look at the joy of family, and how far we'll go to get it.



AUGUST 22 THRU SEPTEMBER 28 ONLY!
Playwrights Horizons Mainstage Theater
416 WEST 42ND STREET (BETWEEN 9th & 10th AVENUES)

Perfs. Tues-Fri at 8:00, Sat at 2:30 & 8:00, Sun at 2:30 & 7:30

For tickets:

or
Call TICKET CENTRAL at (212) 279-4200 (Noon-8pm daily).
or
Visit the TICKET CENTRAL box office window
416 West 42nd Street between 9th and 10th Avenues (Noon-8pm daily).

Tuesday, August 5, 2008

LOVE AND OTHER NATURAL DISASTERS

Elizabeth Bove will be a featured actress in
LOVE and OTHER NATURAL DISASTERS

Manhattan Repertory Theatre
Presents: Summerfest 2008

LOVE and OTHER NATURAL DISASTERS

4 one-acts

written and directed by Karen B. Song

Featuring: Chris Brescia, Elizabeth Bove, Evan Dahme, Athena Kazantzis, Helen Kim, Joe Medina, Stephanie Parrott, Catherine Zubkow

Stage Manager: Sarah Nochenson
Sound Design: Hollis Smith

7 PM shows Wed. Aug. 6th, Thurs. Aug. 7th, Fri. Aug. 8th
(Possible Extended Run: Sat/Sun, Aug. 9/10th -- Call for details)

General Admission $20*
For Tickets: (646)329-6588

Manhattan Repertory Theatre
303 W. 42nd Street (at 8th Ave.) Third Floor
http://www.manhattanrep.com/

STAIN

STAIN

A new play by Tony Glazer
directed by Scott C. Embler
presented by Choice Theatricals

What doesn't kill you leaves a mark.

Featuring:

Karina Arroyave - (Film: Crash, "24", Theatre: The Public's School of the Americas)

Joanna Bayless - (Sweet Bird of Youth)

Peter Brensinger - (Film: Red Cockroaches)

Summer Crockett Moore - (Last Summer at Bluefish Cove, IT Award for Best Featured Actress)

Jim O'Connor - (Film: Sweet Home Alabama, Last Request, Mystic Pizza. TV: "The Secret Life of...")

Tobias Segal - (MTC's From Up Here - Drama League & Drama Desk Award nominations, Playwrights' Doris To Darlene).

Now thru August 23rd, 2008
at The Kirk Theatre
Theatre Row, NYC - 410 West 42nd Street

For tickets: call 212-279-4200 or visit www.ticketcentral.com

Monday, July 28, 2008

FRINGE NYC 2008

The New York International Fringe Festival (FringeNYC)
August 8th - 24th, 2008:

The New York International Fringe Festival (FringeNYC) may well be the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues - for a total of more than 1300 performances!

Every year there are exciting discoveries plus shows you will see nowhere else!

Home page -- http://www.fringenyc.org/

List of all shows (alphabetical) -- http://www.fringenycdata.com/basic_page.php?ltr=num

Download the program guide (it's big!) -- http://www.fringenyc.org/seeing/pguide.asp

List of shows & ticket purchases from Theatermania (This is a terrific, convenient way to look up, browse and purchase tickets for more than 40 of the the huge number of offerings!) --
http://www.theatermania.com/content/festival_sortable.cfm?festival=15



Volunteer to help out this year -- http://www.fringenyc.org/Vol/volunteers.asp

Get a headstart on performing next year by reading this year's application information--
http://www.fringenyc.org/About/application.asp

Here is some detailed programming information:


@lice in www.onderland
Theater 80 August 15-August 22 Old Campus Productions Dance @lice in www.onderland is a modern dance/multimedia adaptation of Lewis Carroll's Alice's Adventures in Wonderland. The piece explores issues of identity and liveness that arise from society's engagement with the Internet...our www.onderland. Follow Alice on her adventures down the rabbit hole as she encounters various familiar characters and is forced to confront questions such as "Who are you?" "What are you?" and "Where are you going?"


The Alice Complex
Cherry Lane Theatre August 8-August 24 Tall Story Productions and The New York International Fringe Festival Drama Past, present and future collide in this darkly funny, psychological thriller about inspiration and betrayal between two women of different generations.


Anais Nin Goes to Hell
Connelly Theater August 8-August 24 Maieutic Theatre Works Comedy MTWorks presents the world premiere of David Stallings' Anaïs Nin Goes to Hell. Anaïs Nin goes to Hell will play a limited engagement as part of the 11th annual New York International Fringe Festival. Imagine an island in hell where Cleopatra, Joan of Arc, and Queen Victoria...wait for their men. What happens when women's lib icon Anaïs Nin arrives to turn their afterlife upside down?


Becoming Britney
The Theatres at 45 Bleecker Street August 8-August 24 Endless Supply Productions Musical Comedy How does a pop sensation wind up bald and trapped in her own musical? Becoming Britney is a caustic (but loving) PG-13 fable that chronicles the rise...the dip?and the salvation of a foolhardy celebrity phenom. The show features six kick-ass actors and eleven original songs that pay snarky homage to multiple musical theatre genres. Are you ready to face your inner Divas, y'all?


But for the Grace...
Walkerspace August 8-August 17 FringeNYC Drama
Solo Performance
Play But for the Grace... tells the stories of the people who are forced to rely on food pantries in order to put food on their tables, putting a true face on hunger in the US.


Control
The Studio at Cherry Lane Theatre August 14-August 22 New York Artists' Community Play Hold on to your remotes!! When vertically-challenged and sexually confused Brady gets fired he's forced to move in with loudmouth college dropout Holly. Together they crash into a quarter-life crises leaving them susceptible to the manipulation of bizarrely accurate infomercials. Radio, News Paper, Magazine, Internet, Television?CONTROL takes a hard humorous look at the media's role in the rise of anxiety disorders among America's youth.

Creena DeFoouie
Cherry Lane Theatre August 15-August 23 Ruby Bloomsbury Theatre Comedy
Musical
Mystery/Thriller Welcome to the home, retreat, boudoir of the vampish Creena. Her unique counseling services help half-wits who lack harmony and hormonal balance. Mental patients go missing---a case for extraordinarily well-endowed Superintendent Russell Hardon? AB FAB meets ADDAMS FAMILY by way of ROCKY HORROR! A two-man trip created and performed by UK siblings Charlotte Barton-Hoare and James Hoare.


Cruising To Croatia
Bleecker Street Theatre August 8-August 24 Onisland Communications Musical Comedy Mark and Teddy, a couple of goofy blind guys pose as musicians on a cruise ship to search for Teddy's new love, a seductive internet voice.


CYCLE- A Vaudeville Comedy
Spiegeltent August 9-August 23 WILTSIE BRIDGE PRODUCTIONS and OFF THE LEASH PRODUCTIONS Vaudeville Critics rave: "Hilarious!", "picture perfect", "A luscious, enjoyable show." A desperate New Yorker has one day to find the "Secret Of Success" in this whirlwind comedy with eight actor/musicians playing over 70 roles. CYCLE features live accompaniment on the piano, accordion, guitar, flute, fiddle, slide whistle and more. From Shakespeare to soft-shoe, it's a charming, retro dream.


The Deciders
Michael Schimmel Center For The Arts, Pace University August 16-August 22 Within Reach Entertainment Musical Power! Patriotism! Propaganda! The Deciders is about power -- those who have it and those who want it. Mitch Kess' driving rock score reveals in song and satire the secrets, dreams, motives and misinformation of those who make the decisions and those who live with the consequences from the Washington Power Elite to Baghdad and beyond. Directed by J. Michaels. Music direction by David Fletcher.


Eggs and the Rebound Guy
CSV Flamboyan Theater August 8-August 23 2 Little People Productions Comedy A comical, yet heartrending story of Dru, a single thirty-something, disenchanted with the dating game, who sets out to have a baby on her own. When she meets Terrence, a handsome new prospect, she must decide if she really needs Mr. Right to have a baby.


The Fabulous Kane Sisters in Box Office Poison
Cherry Lane Theatre August 9-August 22 Red Light District in association with Stephen Morfesis Comedy It is 1956, in Pocatello, Idaho, and murder, mayhem and muscular bodies fill the stage as the Fabulous Kane Sisters attempt to solve a mystery and prevent their own murders in this bawdy, burlesque comedy. It's like a trip through the sewer in a glass bottom boat!


The "Gay No More" Telethon
Michael Schimmel Center For The Arts, Pace University August 8-August 24 The Fringe Festival Musical Comedy Reverend Wiley Ray Henderson's Religious Broadcasting Network presents The "Gay No More" Telethon. Your generous contribution will help turn every homosexual straight by the Rapture or the 2014 Winter Olympics ... Whichever comes first. "Let's Get One Thing Straight ... You!" - Comedy Musical


GEM! A Truly Outrageous Parody!
Barrow Street Theatre August 9-August 23 Musical Comedy Based on one of the greatest animated, dual-personality songstresses of the Me Decade, our Gem and her band, The Holographs, must enter a battle of the bands against their archenemies, evil Spizazz and the Misfires. Will rock-n-roll, hope, and a talking hologram machine be all she needs to win?


George the Fourth
Players Theatre August 9-August 20 Michael T. Middleton Comedy
Drama
Play Diana's fiancé thinks he can outduel her estranged, acerbic parents with one simple weapon: Honesty. But nobody is quite prepared for a dead coyote in a Santa hat to sabotage their agendas and become the center of every argument. With a comedy this dark, what else is there to say but "Pass the scotch"?


The Golden Aurora
Bleecker Street Theatre August 16-August 23 Working Artists Theatre Project Drama The Golden Aurora is a modern fable about an unusual love affair. When Ned, a veterinarian's helper, falls in love with a rare and beautiful dog, his Midwestern town is turned upside down. Rejected by people closest to him, Ned becomes an outcast. In this haunting tale, we learn that when love runs deeply, there is no knowing where the human ends and the animal begins.


The Grecian Formula
45 Bleecker August 8-August 22 Followspot Entertainment Comedy Commanded to write the world's first drama, Homeric celebubard Thespiotis orders his servant, Alidocious, to ghost-write it for him. And so the witty slave does write on cue, though mayhem, masks, and choral odes ensue in this new play about the backstage comedy behind the first drama.


Green Eyes
Theater 80 August 16-August 23 Musical The new musical, green eyes tracks the rise and fall of a relationship through folk-rock music and modern dance. A contemporary love story, green eyes utilizes two singers, two dancers, and a five-piece orchestra to fuse both song and dance. Featuring Nick Blaemire (Cry Baby, Altar Boyz), Celina Carvajal (MTV's "Legally Blonde: The Search for Elle Woods," Cats), Ryan Watkinson (Movin' Out, Xanadu), and Melissa Bloch (Leopold Group).


Heaven Forbid(s)!
The Jazz Gallery August 9-August 16 Martice Enterprises Comedy Life's a bitch, then you die! The ultimate multi-cultural experience! Outcast souls-pimps, transgender, and others, convene in "purgatory" to convince the man upstairs to let them in. Heaven doesn't want them and hell is at capacity. God and the Universe appear as a cholo gang-banger and a 60's bohemian love child. It's comedy from beyond! 2007 Dallas/Fort Worth Critic's Award Winner for Outstanding New Play.


I Heart Hamas: And Other Things I'm Afraid to Tell You
The Players Theatre Loft August 8-August 24 Jajeh & Co. Comedy
Solo Performance

I Love You, Petty, & Favre
Barrow Street Theatre August 8-August 23 Scott-Works Productions Comedy
Drama
Play She had the name of a football legend, he had Tom Petty concert tickets. It was a match made in heaven. For anyone that has loved, lost, persevered, or played air guitar... a heartwarming tale of life, family, football, and runnin' down a dream.


III
Cherry Lane Theatre August 13-August 23 joes & co. Drama Playwright and director Joe Salvatore tells the true story of an all-male ménage-a-trois set in the first half of the twentieth century and based on the real lives of George Platt Lynes, Glenway Wescott, and Monroe Wheeler.


KABOOM!
Cherry Lane Theatre August 9-August 23 Red House Group/Joan Cullman Productions Comedy
Play
Farce It's the tale of San Francisco's wiliest crook, who plans to cash in on the ultimate rip-off: a drug called Krokk that may extend orgasms up to 37 minutes. When his stash is accidentally destroyed, he has one day to recoup his losses and get out of town. As he rakes in cash from his many other con jobs, it seems as if nothing can stop him -- except maybe a neurotic New Yorker, a kazoo virtuoso, a loopy bike messenger, and an act of nature.


La Vigilia (the Vigil)
Connelly Theater August 13-August 23 TEATRO OSCURO Comedy A sly Italian comedy of manners, La Vigilia refers to the Christmas Vigil feast celebrating Christ's birth, when feuds are settled, strangers are welcomed and love is served in equal measure with the food. Romantic complications ensue when a mysterious stranger shows up at the dinner of a rich noblewoman. Is he her long lost husband or an errant con man? Set in Post-World War II Italy, La Vigilia is a story of passion rediscovered and reclaimed.


The Legislative Process
Schaeberle Studio Theatre at Pace University August 10-August 23 The Six Chapter Company Play Dexter is thrilled to be spending his junior year in Washington as a congressional page. But he discovers that Capitol Hill is not so different from high school. For one thing, only the pretty boys seem to get ahead.... Could you "make it" in Washington?


Mourn the Living Hector
CSV Flamboyan Theater August 14-August 23 Performance Lab 115 Drama Winner of two Fringe Excellence Awards, PL115 returns to the FringeNYC to investigate wartime violence on the home front, interweaving the Trojan hero's last day with the home-leave of an American Marine; a comedic tragedy of ambient violence, failed connections, and unexpected happy-endings.


Murder of the Seas
The Jazz Gallery August 8-August 24 Murder Company Mystery/Thriller Want to see the sordid underbelly of the caribbean cruise industry? Neither does recovering alcoholic Chester B. Fields. But he doesn't have a choice. He's got to find the body, solve the murder and get the girl without ending up in the drink.

Not Dark Yet
Walkerspace August 13-August 22 Present Tense Productions Play Tom has a big hairy muse named Norman who's wrecking his life. When Norman shows up in a tutu and feeds his doubts about his marriage, Tom realizes that a writer can pick his friends, pick his wife, but can't pick his subconscious.


Now That She's Gone
SoHo Playhouse August 12-August 22 EMP Theatricals Comedy
Drama
Solo Performance Now That She's Gone is a tremendously personal, yet universal journey of self-discovery & parental relationships as seen through the filter of a feminist activist. Politics aside, the relationship of mother to daughter is explored in a real & grounded way that speaks to audiences of all backgrounds, political philosophies & cultures. The show represents a slice of American history as well as a personal story with which the audience can relate.


the october crisis (to laura)
Players Theatre August 8-August 18 Packawallop Productions, Inc Drama 1962. Spy planes uncover missiles in Cuba and a cryptic telegram uncovers painful memories for singer Marguerite Stone. Contacted by her estranged son, Marguerite is transported back to a choice she made around her debut. An efficient assistant, her suspicious lawyer and a repertoire of her songs performed by her younger self force Marguerite to face her past decisions and reunite with her son.


Operation Adelmo
Spiegeltent August 8-August 20 G&W, LLC Vaudeville Live entertainment for the YouTube generation filled with music, magic, singing, showgirls, clowns, kazoos, Rice Krispies, Bugs & Elmer, toreadors, accordions, banjos, ukuleles, guitars, razors, and pie! Starring Adelmo Guidarelli, the voice New York critics have compared to "Ettore Bastianini and Robert Merrill". He has played to standing ovations all over the world, including New York, Las Vegas, Rome, and of course, New Jersey. www.OperationAdelmo.com.


Panopticon
The New School for Drama Theater August 13-August 23 Glass Slipper Solutions Drama
Mystery/Thriller
One-Acts Trapped in a sinister prison known as the Panopticon, Patrick is stripped of his identity to become prisoner 67401. In his cell he is confronted by the demons of his past only to realize the true nature of his incarceration.

The Permanent Night
Barrow Street Theatre August 9-August 22 Imago Film Productions Drama New York City. Blackout. Secrets and betrayals illuminate the flaws of a wealthy couple's seemingly perfect marriage, a first encounter sheds light on the scars of a young woman's past, and the night leaves an indelible mark on them all.

Raised by Lesbians
Barrow Street Theatre August 9-August 21 Geek Ink Comedy Joe is 16. He can't decide whether to live with his mom or his dad. Meanwhile, his best friend Gracie puts him at the center of her silent movie, and his step-mother quilts everything that isn't nailed down. His dad is badgering him about his manhood. His mom has a new girlfriend. Joe isn't sure if other kids call him names at school because his mom is a lesbian, or just because they think he's a dork.

Salt Lake, a New Ballet
The Lafayette Street Theater at The Theaters at 45 Bleecker August 20-August 24 Virgin Dance Dance Theater Salt becomes a metaphor for desire and passion in Vicky Virgin's new dance creation, Salt Lake, a New Ballet in 3 Acts


Sex, Cellulite and Large farm Equipment: One Girl's Guide to Living and Dying
The Jazz Gallery August 13-August 21 River Huston Productions Solo Performance River Huston, stand-up comic, award winning poet, sex columnist, former aerobics instructor, musician, pot farmer, dominatrix, armed robber, takes a humorous look at her life experiences including an arrest for obscenity, running a marathon, marriage, financial ruin, surviving two terminal illnesses, and several unexplained rashes. If you have had a bad day or bad decade River will help you laugh at life's challenges.


Shots: A Love Story
The Lafayette Street Theater at The Theaters at 45 Bleecker August 9-August 17 Progressive Theatre Workshop Experimental HER, HER AGAIN, and HER ONCE MORE are beaten to a bloody pulp by HIM... repeatedly. These three women find themselves trapped in the chaotic and wet world that is their addiction. Bullets fly and vodka drenches. Direct from two sold out runs in the Phoenix desert, SHOTS is an addictive, assaulting, soaked, and sometimes humorous look into the psyche of an addict.


Strange Attractor
Spiegeltent August 10-August 23 The Present Company Interactive
Solo Performance
Magic Show STRANGE ATTRACTOR is an interactive theatrical showcase of Magic and Mystery - Willy Wonka meets Hitchcock! Witness extraordinary phenomena! Help Imagination Man Marco save the world from the mundane! Defy the skeptical scrooges and partake in strange occurrences! Witness incredible feats of mind-reading, teleporting, and other interactive feats with Marco, a Magic Man out to save the world... and the world beyond! 60 minutes


Thoroughly Stupid Things or The Continuous Importance of Being Earnest
Bleecker Street Theatre August 10-August 23 Whirled Peas Productions Comedy
Play In this sexy, new sequel to Oscar Wilde's The Importance of Being Earnest, Gwendolen and Cecily go undercover as attorneys Ernest and Ernest to find out why Jack and Algernon spend so much time at the local men's club. When they meet alluring cabaret singer Bibi LaFlam and a menacing French Inspector, the ladies get more than they bargain for in this thoroughly "Wilde" comedy.


Tough Guys Don't Shoot Blanks
Barrow Street Theatre August 11-August 21 Grayce Productions and FringeNYC Comedy Join Skip and Dottie, hosts of the 1950s television show "Cinema Cavalcade," as they unearth another action-packed gangster flick. Can fist-swingin' copper, Chick Donahue, squash the crime and corruption on the streets of New York ? Will on-the-lam Lefty find his hard-boiled sis before mobster Sonny Rocco rubs him out? A parody-within-a-parody, Tough Guys Don't Shoot Blanks delightfully sends up two genres of yesteryear.


Traffic Jam
SoHo Playhouse August 9-August 22 Sumo Productions Comedy In Traffic Jam, Cassie, an absolute train wreck, waits for Death to arrive in a hospital waiting room. She wishes to assume the mantle of the strong woman in her family, and slay her monster grandfather if Death will not do his job. Cassie is absolutely convinced that he is stuck in traffic. She meets Gary, who (like everyone else in her life) betrays her.


Trees Like Nails
Schaeberle Studio Theatre at Pace University August 8-August 20 Maggie's Farm Theater Company Comedy
Drama
Mystery/Thriller Sex. Drugs. Death. Slurpees. Trees Like Nails follows two brothers who find the mutilated body of a girl in the woods. Over one night, six small-town teens are covered in the trail of blood. Brazenly revealing danger at the heart of growing up, Snider's play challenges us to look inward for answers. A dark coming-of-age tale about drinking and dealing in the suburbs.


Triumph of the Underdog
Schaeberle Studio Theatre at Pace University August 8-August 12 Triumph Team Solo Performance Geeks! Dorks! Fanboys! Lend your pointed ears! Peter Howell's mind-bending lecture speeds through the history of Science Fiction -- from Mesopotamia to Star Trek in twenty minutes -- and might just save your life. Can the washed-up author really prevent an astronomical catastrophe threatening to annihilate the entire solar system?


Velvet Scratch- Voyage of No Return
Barrow Street Theatre August 8-August 13 Theatre Lab Company Performance Art Unwanted souls and their dark stories: Victorian vampires, velvet hearts, strawberries, piercing needles...the voyage begins. A gothic musical with macabre humour, powerful images and theatrical animation. "Wildly experimental theatre, spellbinding to the last second; a weird little gem" *****Skinny Fest, Edinburgh 2007; " Imagine Tim Burton directing Gabriel García Marquez?.The level of invention is breathtaking, the whole is bloody beautiful" Prague Post, 2007.


Walls
Cherry Lane Theatre August 12-August 17 New York Rep Comedy A couple wakes up and finds a WALL splitting their house in half. The furniture, the bed, even the fish are severed in two. On the night of their anniversary, the confrontation begins and the secrets come out?


Woodhull: A Play About The First Woman Who Ran For President
Michael Schimmel Center For The Arts, Pace University August 9-August 15 Elephant Ensemble Theater Drama Based on a very true story, this play tells the true story of Victoria Woodhull, an outrageous and revolutionary former prostitute who--with a platform that included abolition of the death penalty, legalized prostitution, and free love--was the first woman to run for President in 1872.


ZOMBIE (world premiere)
The Players Theatre Loft August 9-August 21 Razors Edge Drama "I'm not Jeffrey Dahmer. I'm Quentin P. They say I murder, torture, and rape young boys. That's not how I see it. I'm trying to create a ZOMBIE. Join me. I'll tell you my side of the story." A sexual psychopath tries to create zombies to fill his every need. From one of America's greatest storytellers, best-selling author Joyce Carol Oates.

Tuesday, July 22, 2008

EMERGING WRITER'S GROUP AT THE PUBLIC


The Public Theater
is now accepting applications for the 2009 Emerging Writer's Group.

Playwrights in the Writer's Group will:

--Receive a stipend of $3,000
--Participate in a biweekly writers group led by The Public’s Literary Department
--Receive at least one reading at The Public
--Participate in master classes led by established playwrights
--Observe rehearsals for productions at The Public
--Receive an additional stipend for theater tickets to productions at other theaters
--Receive complimentary tickets to Public Theater shows, invited dress rehearsals and other special events
--Receive career development advice from mid-career and established writers
--Receive artistic and professional support from the literary department and artistic staff.


This sounds like a tremendous opportunity for new playwrights!

Applications will be accepted through August 29.

Details and application information are available at:

http://www.publictheater.org/content/view/88/155/

Sunday, July 20, 2008

OLD BROADWAY THEATERS

I was just recently in one of those old Broadway theaters. It was terrible. It's time to shut those old theaters down and re-build them all.

The seats are too narrow. Were people all skinny when they were built? (Probably yes.)

There were few stalls in the ladies' room and not much more in the men's room. Did people pee less in the old days? (Probably not, so why did they build the bathrooms so small?)

And the rows of seats were not very well raked, making any tall person in a row ahead a serious obstacle.

New theaters, in addition to being more comfortable, and possible safer (who know what lurks in those old floors and walls?) could be roomier in a way that would allow more creative concession income. It's too crowded now to sell anything efficiently.

With an evening at the theater for two (tickets, not to mention transportation, parking, and possibly a restaurant) running into the hundreds of dollars, patrons deserve a pleasant experience in every way (including a quick trip to the bathroom at intermission + something from the vending concession without missing the start of the next act). They may also be interested in a significant souvenir from the show (especially since -- with the falling dollar -- more and more of the visitors are here on a big trip from some other country).

While many shows do sell a program... or shirts and caps... or other items, the poor marketing display and inefficiency of making a sale in the crowded old theaters means the show is probably giving up the possibility of significant additional revenue.

It seems to me that these uncomfortable old theaters are doing a disservice to Broadway (by discouraging people who were uncomfortable in one show from going to another show); a disservice to the audience (which deserves a better experience); and a disservice to themselves (for giving up income from concessions) .

Lets give a big cheer for each new theater that arrives!

Monday, July 14, 2008

THE BACCHAE

Alan Cumming & The Bacchae
From the2008 international tour of The Bacchae
National Theatre of Scotland
Photo credit: Rhuary Grant


The Bacchae of Euripedes dramatizes themes and issues that are as important today as they were 2500 years ago, and does so with a style as modern as if it were just written.


In fact, The Bacchae was written in about 407 BC (2008+407 = 2415 years ago) and had its premiere, some two years later, about a year after Euripedes died, posthumously winning first prize at the Dionysia.


The play was written in Greek Macedonia where Euripedes had moved from Athens (on the invitation of the King of Macedonia) about a year before writing the play.


It is helpful to understand some of the background of the creation of the play: the world as seen from Athens in 407 BC. It was written during the Peloponnesian war between Athens and Sparta, and war was coming to a climax. It was a bitter conflict. In addition to the dangers of war, politics in Athens were very unstable. Among other events, for example, a coup, about 3 years before Euripedes’ departure from Athens, overthrew the Athenian democratic system in favor of oligarchic rule by a group of 400 prominent and wealthy Athenians.


In Macedonia, Euripedes was removed from danger and from the politics. Also, it has been suggested that he was exposed to Dionysian Mysteries and rituals in Macedonia which were much more intense than the -- rather tame -- ceremonies in Athens.


The play takes place in Grecian Thebes in ancient times. During the Peloponnesian war, Thebes was Athens’ enemy, allied with Sparta. Thebans may also have been regarded by Athenians as a bit dense or stupid.


Persia, Lydia and Phrygia, which are described as the lands from which Dionysus has just arrived from the East, were important kingdoms when the play was written. Lydia and Phrygia lay Northeast of Athens in what is now Turkey, and in the direction of Persia, which had, not long ago, attacked Greece, but had been repelled.


The Bacchae is a very powerful play. The conclusion is very shocking, and the developments that lead to the conclusion are very theatrical, with both humor and spectacle, and an ever-present suggestion of sex.


Much of the power of the play is that is not a perfect play. Most productions of the play seem to succeed on one level, and yet be incomplete and unconvincing on some other level. It touches on many themes, but is not a simple exposition of any one. Given any interpretation, it could equally be taken to support a different or even opposite interpretation. The freedom of directing the play from any one of many thematic emphases is part of the reason the play is often presented, and often presented at a time of national stress, when one or another of the issues with which it deals become matters of popular relevance and importance.


There is also the issue of language. Ancient Greek drama is said to have been written in a form of poetry which has strong rhythm (without rhyme). Last summer I saw and heard Euripedes’ Medea at Cambridge University in England presented in Ancient Greek. The sound of the language was a revelation. Without understanding the language (but following along: a running translation was provided on an overhead screen), the beauty and power of the sound of the language was evident.


(Note: Cambridge produces a play in Ancient Greek every three years (in years divisible by 3). Oxford also produces a play in Ancient Greek every three years and will be presenting Aeschylus’ Agamemnon, (the first play in the Oresteia trilogy) in Oxford in mid-October this year. It will be directed by Claire Catenaccio who has just graduated with numerous honors and prizes from Harvard, directing and studying ancient Greek drama. I recommend a visit to Oxford this fall! )


There has been a major production of The Bacchae playing in a theater in New York: The National Theatre of Scotland at the Lincoln Center Summer Festival. And at least one more is in development. Later this year, JoAnne Akalaitis is scheduled to present a production at The Public Theater.


Some of the fundamental themes of the play are:

Sexual

=> Androgyny and possible suggestions of homosexuality
=> Sexual, spiritual and emotional liberation and freedom
=> Empowerment of women
=> Spiritual liberation


Religious

=> The need to honor a god
=> The cruelty of a god
=> The history and true nature of the god of wine


Political

=> The need for a government to respect the laws of human nature. Here, the human spirit and the need for liberty is embodied in the god Dionysus. (Note: This is directly suggested in the play by Tireseus, and takes as implicit the notion that a Greek god is an embodiment of some aspect of human behavior, and worship of the god is respect for the corresponding laws of human nature.)
=> The attitude of the chorus to the events
=> The conflict between a liberating political movement and a repressive political government, and the notion that a liberal movement can turn vicious when it meets with excessive resistance
=> The importance of moderation=> The need to honor both the stability of law and the liberation of the spirit
=> The fall of a government when it does not pay due respect to the gods
=> The hypocrisy of those who repress sex in others but secretly lust themselves; and the hypocrisy of those who profess liberation, but when they are challenged become more cruel and repressive than the repressors; (This theme of hypocrisy could also have been listed under the sexual themes!)


Familial

=>The difficulties of family relationships, especially in the ruling class


That is quite a load of themes, any of which can be the basis for an interpretation.


In addition, the play has humor, violence (which is off-stage in the text, but can be brought on-stage by the director), magic, special effects, drugs (alcohol at least), madness, tragedy, cross-dressing, music and dance. And any of these can be the stylistic basis for an interpretation.


None of these themes or styles are developed completely enough in the script to determine the obvious, completely satisfying interpretation; each one of them competes for attention when any other is taken as the primary focus. That is one reason why the play is a failure, and why it is an enduring success.


The director, John Tiffany, of the Scottish National Theatre presentation at the Lincoln Center Festival has taken as his primary interests the cross-dressing, androgynous nature of Dionysus, and the musical and visual potential of the chorus. Stylistically, he emphasizes the theatrical spectacle, and humor. Serving these decisions, Alan Cumming as Dionysus is terrific; the rest of the cast somewhat less so. Cal Macaninch as Pentheus, the ruler of Thebes, and the primary antagonist to Dionysus, is simply not a strong enough presence to challenge Cumming in a dramatically effective way. Paola Dionisotti as Agave and Ewan Hooper as Cadmus, Pentheus grandfather, are not dramatically powerful enough in the final scenes.


There are many terrific elements in this production, and many things that don’t go quite right.


Among the most effective elements of this production are:

=> The special effects and spectacles, especially the initial entrance of Dionysus
=> The clarity of the production in the script, the direction and the acting, making it always possible to understand the characters’ meaning (when you could hear them – the volume level was a bit low and with traces of Scottish accents and a strange play, not all the words were clear)
=> The costumes, which were colorful, bold and interesting, especially effective at making the first entrance of each character exciting
=> The choral music and dance which had a gospel style and nice melodies
=> The comedy
=> And the effective delivery of an interpretation which stressed the androgyny and sexual identity issues in the play.


The clarity of this production probably stems in part from the manner in which it was created. First a literal translation of the play was created by Ian Ruffell. Then a writer, David Greig, was commissioned to turn the literal translation into a play that directly served the director’s interpretation. The script was neither archly old fashioned, nor jarringly modern (two problems most scripts fail to avoid), but seemed ideally suited to the director’s intentions.


Some things were not so effective:

I’ve already mentioned the weak supporting cast, and the low volume sound design, which made words difficult to understand, (a particular problem when the chorus was singing, since the text of what they say is important to the development of the play’s themes).


Although the costumes were stiking and impressive, most characters wore the same thing throughout the show, so that the visual excitement began to fade. I also found the costume design somewhat confusing: some of the costume choices seemed wrongly conceived. This play is set in ancient Thebes, yet the clothes are conspicuously modern and not-Greek. When Cadmus and Tireseus set out for the mountain to join the maenads, they seem to say that they are in fawnskin (or soon to change) and they are carrying the thyrsus; but they are dressed in tuxedos with strangely decorated hats and carrying walking sticks. I also thought Pentheus could have used a uniform or other clothes that marked him as the king-- to give him more gravitas in his encounters and conflicts with Dionysus.


One special effect -- a huge bank of spotlights aimed at the audience -- seemed both pointless in terms of the play, and dangerous to the audience’s eyes.


The play takes place in one location, near Pentheus’ palace. This production sets it firmly there, and never tries to even suggest the licentious behavior of the maenads in the mountainous forest. Only the bacchae that came with Dionysus from the East are seen. Portrayed as gospel-like singers, these women in the chorus seem to have no visceral connection to Dionysus, and there is no chemistry between them and Alan Cumming. So the whole element of the liberating nature of the god of wine, of the Bacchic mysteries, is almost completely lost.


But the main weakness of the production is that it did not do justice to the tragedy of the play. Aside from the weak acting by the two main characters in this section of the play, the use of a patently fake plastic or rubber head was a disastrous dissipator and destructor of the tension, surprise and horror that should characterize the climax of this play. Agave does not treat the head as the lion’s head she believes it to be, or as any important object at all. It has no reality because of the way it is carried and treated by the actress. In addition, it is introduced too early. There are specific lines in the play which seem designed to be the ideal place to make the reveal, to maximize the shock value and horror of bringing on-stage the severed head of her son, which she believes to be the head of a lion she has killed. Displaying the head earlier dilutes the intensity of the climax.


While the play can be presented in many ways, for me the most brilliant and modern and lasting insight in the play is its depiction of the nature of the political cycle of (1) a movement of liberation, then (2) attempts at repression and then (3) a counter reaction or co-option of the liberation movement with radical violence. It is, for example, the story of the French Revolution; and we saw it in the sixties in the journey from Woodstock to Altamont. It happens in big ways, and it happens in small ways, and it is a cycle that we must always beware of.


The Tiffany version from Scotland, as we’ve noted, stresses other themes, which the director has said he has been interested in for 20 years. For even longer than that, I’ve wanted to do an adaptation that stresses the political elements of the story, especially this issue of achieving liberation without descending into violence. I hope some day I get to do that!!!


The National Theatre of Scotland has brought to life The Bacchae in one of the many ways it’s possible to experience this extraordinary drama. Despite some faults, I highly recommend a visit to this production wherever in the world it may travel to, for its spectacle and theatricality, its clarity, humor and, given its intentional focus on the themes of androgyny and sexual identity, its success in accomplishing what it set out to do.